With this backhand slap at the banker, the young man went out. It was
rather odd that Joe Hurley, like Bill Judson, should suspect the
Passonians of the same secret reason for not desiring a spiritual
refreshment of the town. But then, both the storekeeper and the owner of
the Great Hope were observant of human nature and knew Canyon Pass and
its inhabitants very well.
Joe Hurley’s proposal was rattling the dry bones. If he saw two men
conversing on the street, with both their arms and whiskers waving in
the breeze, he might be sure the topic under discussion was the coming
of “that gospel-sharp Joe Hurley’s sicked on to us.”
If two housewives met in midflight between store and store in the course
of a forenoon’s shopping, the principal subject of gossip was bound to
be the possibility of a parson settling in Canyon Pass. Nor did the
feminine opinion always march with that of Mother Tubbs.
In spite of the emancipation of the sex and its introduction to the high
office of the ballot, the women of the mining town were—like women
everywhere—considerably influenced by the expressed opinions of their
husbands, brothers, and sons. If Charlie Raidlaw, who dealt faro for
Boss Tolley, or Phin Shattuck, one of Colorado Brown’s “gentlemanly
mixers,” gave it as his opinion that a white-liveried, lily-handed
parson was going to be a pest in the town and sure to hurt business,
Mrs. Charlie and Sue Shattuck, Phin’s sister, were pretty sure to scout
the idea that a parson in the Pass would be any improvement.
“It’s needed,” Rosabell Pickett announced with conviction. Rosabell
played the piano in the Grub Stake, painted her face like a Piute
Indian, dressed as gaudily as a circus poster, and was the only employee
Boss Tolley had who really was not afraid of him. In fact, Rosabell was
not afraid of any man and had small respect for most; she was frank in
saying so. A girl can be a piano player in a honkytonk and be long on
self-respect. Rosabell approved of herself—quite.
“It’s needed,” repeated Rosabell. “I wish he’d preach in the street out
there, just stir up the people till they was with him, every one, and
then march in here with an ax and smash every hootch bottle behind your
bar, Tolley—that’s what I wish.”
“You’re crazy, Rosie!” cried the proprietor of the Grub Stake. “I’d
hafter go a-gunnin’ for any man that tried to smash up my business
thataway, and that wouldn’t make the Grub Stake friends. You oughtn’t to
bite the hand that feeds you, Rosie. If it wasn’t for the Grub Stake—and
me—you wouldn’t be wearin’ rhinestone shoebuckles.”
“Is that so?” countered the young woman. “You needn’t worry none about
my biting your hand ’nless you keep it washed oftener than is your
present habit. And I want you to know that I don’t sell my opinions when
I take the Grub Stake’s pay-envelope—not much!”
“Well, I wanter see that dratted parson come in yere!” said Tolley
blusteringly.
Public-domain text, read in full here on John Shaqi.
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