“You’re right, Bill!” ejaculated the mine owner with a snap of his jaws
and his eyes sparking from no good humor.
He glanced balefully at the Grub Stake, his face set grimly, almost
threatening.
There were fitful strains of music from within and still some clatter of
feet and voices. Boss Tolley made it his boast that his show continued
until the last reveler left.
The Grub Stake was a sprawling, T-shaped structure with the long bar and
gaming tables in the shank of the T, the dance hall and stage at the
rear. Beside the main entrance was the sign: “Check Your Guns and Spurs
Here,” and at the short counter presided a young woman in a sleeveless
silk jersey and kneelength satin skirt, who dealt out brass checks and
airy persiflage indiscriminately.
The rosewood bar, behind which Boss Tolley and his three barmen sweated
at the height of the revelry, had cost a fortune to freight over the
trail to Canyon Pass. The gaudy oil painting which hung back of the bar,
to hear Boss Tolley tell it, had cost him a second fortune.
Dick Beckworth, who was Tolley’s chief dealer at the tables of chance,
was a privileged character. He was supposed to be a “killer” with the
ladies. He dressed his long curls and heavy black mustache as carefully
as he did his sleek and slender person. Cream-colored flannel shirt, a
flowing tie, velvet jacket and broadcloth trousers tucked into
patent-leather boots, and a Mexican sombrero heavy with silver cord to
top this ensemble, he made a picture to rival the squalid painting over
the bar.
The night had been strenuous at the tables, but the gambling fever had
now abated. Dick lolled gracefully in the armchair at his empty table
with half-closed eyes, smoking a cigarette. Around a table near the
archway between the barroom and the hall was a noisy group of miners,
but they were no longer playing. Their glasses had just been refilled at
the bar.
The rasping chords of a hard-working male quartette beyond the archway
repeated a syncopated rhythm for the entertainment of the patrons of the
tables.
From beneath the arch into the barroom stepped suddenly an astonishingly
brilliant figure—a figure engraved as sharply as a cameo against the
blue mist of tobacco smoke that now drifted in a thin haze throughout
the barnlike place. The group of miners about the first table roared a
greeting.
“Nell! Nell Blossom! The blossom of Canyon Pass!”
“Give us a song of your own, Nellie!” added one burly miner, swaying
from his seat toward her, a maudlin smile on his face.
The girl’s smiling expression changed swiftly to one of flaring fury.
She swept past the miners and headed straight for Dick Beckworth, who
had watched the incident with a little smile flickering about his lips.
The girl’s face was still ablaze. She needed no rouge or lipstick in any
case to lend it color.
“Dick,” she said tensely, “I hate this place!”
Public-domain text, read in full here on John Shaqi.
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