I always think it best not to argue with queens; but I believe that
the surprise, the romance, and the poetry of a modern city are
fiercer than they were in the past. The drama of the ancient
autocracies was played with so small a cast. The rest was suffering.
People with large eyes were never in their past lives anything less
than queens or princes, and thus their naturally vivid memories of a
small and brilliant circle dim a recollection of the dumb majority
beneath their wills. In spite of the supply of desirable lamps in
Bagdad the census of owner-drivers must have been quite negligible,
so that the average inhabitant must have lived through the romance of
those days sitting in the same patch of sun, bitten by insects and
trodden on by negroes.
In London, and in the free cities of this modern world, the drama of
life widens, the characters increase and the unchanging human heart,
no happier perhaps in the long run, beats less timorously than it
did, yet leaping in sympathy to the same old loves and fears and
hates.
Every day our feelings vibrate to some stray unimportance. Life is
full of portentous triviality. Is it not strange that our minds
often refuse to recognize some sensation--a word like a worn-out
boot--while they react immediately to something so small as to be
almost foolish? You may be bored stiff by the front page of the
evening paper, but you go home remembering some common thing seen or
heard; some little humanity: the sight of a man and a girl choosing a
child's cot, two people saying good-bye at a street corner, the quiet
hatred in a man's eyes--or the love....
Let us now go out into London.
Where the Eagles Sleep
One o'clock in the City of London. Crowds overflow the pavement into
the narrow, twisting road. Young men in striped trousers, ruled like
ledgers, black coats sober as a bill of lading, rush or saunter,
according to their natures, towards a quick lunch-bar, where a girl
with golden hair will give them beer and mutton. Girls, arm-in-arm,
discuss those eternal verities--dress, love, and another woman--as
they go primly or coyly, according to their nature, towards two
poached eggs and a cup of tea. Here and there a large man in a silk
hat, who may be a millionaire or a bankrupt, chases the inevitable
chop. And the traffic roars, throbs, and thunders.
But behind a tall hoarding that shouts dogmatically of soap and
shirts and pills things are quiet. Out of the chaos a great new bank
will rise. Workmen sit around in picturesque groups eating. On
their knees are spotted handkerchiefs in which lie gigantic
sandwiches cut by wives in the early dawn. They carve them with
clasp-knives and carry them to their mouths, the clasp-knives upright
in their hands grazing their cheeks. They drink from tin cans, and
wonder, in rich monosyllables, "wot" will win the three-thirty.
Public-domain text, read in full here on John Shaqi.
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