In one of the waiting-rooms I saw an ancient man with a white beard.
He was sitting over the contents of his safe, feebly fingering
documents and poring over them, his nose almost touching the papers.
The sight of him roused questions. How easy to write a dozen
speculations about him, his life, and his little tray full of musty
deeds and letters...
* * *
Outside over the wet pavements hurried the men and women of London,
unconscious that beneath their feet lay millions and--mystery.
That Sad Stone
In two thousand years' time will there be brambles growing on Ludgate
Hill, I wonder, and will a shepherd graze his sheep in Piccadilly
Circus? It happened to Thebes and Carthage....
If the tamarisks should come back to town I desire to be reincarnated
at that time in order that I may join in archæological speculation on
the fragment of an extinct animal ("probably a lion") dug up on the
site of Trafalgar square! It would also be jolly to reconstruct the
plan of Bush House on the strength of three window-sills, a lift
bell, and a typewriter key. There are great days in store for those
who will shake up our dust and worry our ghosts, and even attempt to
discover our gods. I can see Macaulay's New Zealander having the
time of his life among the ruins of London; and surely one of his
most splendid adventures will take place at the base of Cleopatra's
Needle. Did you know that beneath this famous stone is buried a kind
of Victorian Tutankhamen's treasure, placed there to give some man of
the future an idea of us and our times? Did you realize that the
London municipal authorities could do anything so touching?
Under the obelisk sealed jars were placed in 1878 containing a man's
lounge suit, the complete dress and vanities of a woman of fashion,
illustrated papers, Bibles in many languages, children's toys, a
razor, cigars, photographs of the most beautiful women of Victorian
England, and a complete set of coinage from a farthing to five
pounds. So the most ancient monument in London stands guard over
this modernity, rather like an experienced old hen, waiting for Time
to hatch it.
Poor sad old stone....
* * *
I went down to look at it yesterday when the Thames, in full tide,
dancing in the sunlight, was giving the Embankment great slapping
kisses. Tugs were chugging upstream with their ugly duckling barges;
and the jet-black finger of Ancient Egypt pointed to the sky, so slim
and beautifully proportioned, so tall that when I looked up it seemed
to be falling against the wheeling clouds.
Two little boys were riding a sphinx. Men and women stopped, looked
up at the monument, saw the pale sunlight finding its way into those
funny little carvings, a few moved round to the rear of the platform
and gazed with open mouths, seeing an incomprehensible stone,
wondering about it perhaps, maybe feeling that there was a story
behind it somewhere, somehow.
Public-domain text, read in full here on John Shaqi.
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