The Hindus have been right all along in worshipping it. Their worship, with tropical luxuriance, may have developed to extravagant lengths. But the instinct which promoted this worship was perfectly sound. The river bears within its breast great life-giving properties, and in worshipping the river the Hindus were half-consciously expressing their sense of dependence on these life-giving properties, and of affection and gratitude to the river for the benefits it conferred. Mere fear of its destructive character--fear alone--would not produce the desire for worship. They did and do fear the river, but behind the fear is a feeling that it _can_ be propitiated, that it _can_ be induced to help man and does not want to thwart him. And here they were perfectly right. We are at last learning the way by which this may be done, and now see clearly what the Hindus only vaguely felt, that the heart of the river is right enough--that once it is tamed and trained it can bring untold good to man. This the Artist will readily discern. He will enter into the spirit of the river. He will read its true character. Refusing to be terrorised by its more tremendous moods, he will exult in its might, and see in it a potent agency for good. In these ways the river will make its appeal to him; and responding to the appeal, the Artist will see great Beauty in the river and describe that Beauty to us. * * * Beyond the river, before we reach the mountain, we have to pass over absolutely level cultivated plains, without a single eminence in sight. To most they would appear dull, monotonous, uninteresting. There is no horizon to which the eye can wander and find satisfaction in remote distance. There is no hill to which to raise our eyes and our souls with them. The outlook is confined within the narrowest limits. Palm trees, banyan trees, houses, walled gardens, everywhere restrict it. The fields are small, the trees and houses numerous. Nothing distant is to be seen. To the European the prospect is depressing. But to the Bengali it is his very life. These densely inhabited plains are his home. They have, therefore, all the attraction which familiar scenes in which men have grown up from childhood always have. A Bengali prefers them to high mountains. He loves the sight of the brilliant emerald rice-fields, of the tall feathery palms, of the shady banyan trees, of the flaming poinsettias, the bright marigolds, cannas and bougainvillea, the many-coloured crotons and calladiums, the sweet-scented jasmine, oranges, tuberoses, and gardenia; and the gaudy jays, the swiftly darting parrots, and the playful squirrels. He loves, too, the bathing-pools, and the patient oxen, and the cool, sequestered gardens. And he loves these things for their very nearness. His attention is not distracted to distant horizons and inaccessible heights. All is close to the eye and easily visible. His world may be small, but it is all within reach.