We shall have discovered an identity between what is in Nature and what is in us. In looking on Nature, we shall have been introduced into a Presence, greater than ourselves but like ourselves, which stirs in us this which we feel. When we see Beauty in Nature we are discovering that Nature is not merely a body, but _has_ or _is_ a soul. And the joy we feel is produced by the satisfaction our soul feels in coming into touch and harmony with this soul of Nature. Our soul is recognising samenesses between what is in it and what is in the soul of Nature, and feels joy in the recognition. And the instinct of fellowship with our kind impels us to communicate to others what we ourselves have felt. We want to tell others what we have seen and what we have experienced. We long, too, to share the joy which others also must have felt in contemplating Nature. We want especially to know and feel what those with far more sensitive souls than our own--the great poets, painters, and musicians--have felt. So we communicate our feelings to others; and we communicate with others, either personally or through their books or pictures or music, so that we may find out from them what more to look for, and may know better how to look for it. By so doing, our souls become more sensitive to the impressions of Nature, and we are better able to express those impressions. Our power of vision increases. Our soul's eye acquires a keener insight and sees deeper into the soul of Nature. We are able to enter more into the spirit of Nature, and the spirit of Nature is able to enter more into us. We arrive at a completer understanding between ourselves and Nature, are more in harmony with her, and consequently see more Beauty. We see, indeed, what Nature really is. We see the reality behind the appearance--the content within the outward form. We are not for the moment concerned with the _cause_ but with the _character_ of Nature. We see the "I" behind the outward manifestation and representation. And if we have sympathy and understanding enough and are able truly to enter into the soul of Nature, we shall see the real "I" behind the common everyday "I"--just as the few who intimately know some great man see the real man behind the man who appears in the public eye--the real Beaconsfield or Kitchener behind the Beaconsfield or Kitchener of the daily press. And, as we see more of this real "I" in Nature and are better able to get in touch and harmony with her, so shall we see greater Beauty in Nature.