The Heart of Nature; or, The Quest for Natural BeautyYounghusband, Francis Edward, Sir
Philosophy
The Heart of Nature; or, The Quest for Natural Beauty
Younghusband, Francis Edward, Sir
Himalaya Mountains -- Description and travel; Natural history -- Himalaya Mountains; Nature (Aesthetics)
Man does to some extent enter into the soul of Nature. He has
_some_ understanding of Nature. He sees Beauty; and whenever he
sees Beauty in Nature he is in touch with the soul of Nature. Even
ordinary men see some of the Beauty of Nature and have some
feeling of kinship with her. They have something in common
between their soul and the soul of Nature. They have the sense of
more in common between them and Nature than a midge has
between it and a man.
And in a delicately sensitive man such as an artist--painter, poet, or
musician--this sense of kinship with Nature is highly developed. In
regard to his relationship with Nature he is like the finely sensitive
and cultured artist-midge would be in regard to a man--the midge
who, through understanding the inner soul and character of the man,
was able to read the expression on his features and see their beauty.
What we ordinary men have to do, and what we especially want
those gifted with unusually sensitive souls to do, is to bear in mind
the difficulties which the midge has in understanding us and in
seeing any beauty in us, and the way in which it would have to train
and cultivate its faculties before it could ever hope to understand the
expression on our features--to bear this in mind, and then to take
ourselves in hand and develop the soul within us till it is fine enough
and great enough to enter into the great soul of Nature.
The sense of Beauty we all possess in some slight degree is in itself
a proof that behind the outward appearance of Nature there is a
spiritual reality--an "I"--just as behind the outward appearance of the
man which the artist-midge sees there is the "I" of the man. And by
cultivating this sense--that is, by training and developing our
capacity to see deeper into the heart of Nature, see more significance
and meaning in each shade and change of her features, and read
more understandingly what is going on deep within her soul--we
shall enable ourselves to see a fuller and richer Natural Beauty.
So we look forward to the appearance among us of a great Artist
who, born with an exceptionally sensitive soul, will deliberately
heighten and intensify this sensitiveness, learn what others have
experienced, compare notes with them, and train himself to detect
the significance of every slightest indication which Nature gives of
the workings of the soul within her; and then, recognising the
sameness between his own feelings and the feelings of Nature, will
fall deeply in love with her, give himself up utterly to her, marry her,
and in their marriage give birth to Beauty of surpassing richness and
intensity.
Public-domain text, read in full here on John Shaqi.
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