When Lady Wantley had left him, and after the house had settled down
again into its usual summer stillness and silence, Mr. Gumberg, acting
on a sudden impulse, did that which he lived to regret--though only, it
must be admitted, when in a cynical mood--to the end of his life. Slowly
he made his way to the mahogany cupboard where he kept some of his
choicest treasures, including the rarer of his unframed prints. From
there he extracted a small portfolio, and returning to his armchair, he
propped it up on the sloping desk at his elbow. For a few moments his
fingers fumbled with the green silk strings, and he turned over the
contents with eager hands.
'The Lady and her Pack.' Mr. Gumberg peered musingly at the curious
rudely-coloured design. He wondered half suspiciously whether it was
only his fancy that detected a certain similarity between the
horsewoman, sitting so squarely and so gallantly on her huge roan, and
the lady who had just left him. Both figures--that of Rosina Bellamont
and that of Lady Wantley--had about them a certain dauntlessness, a look
of high courage.
Mr. Gumberg hastily turned the little print about. He took up a
magnifying-glass, and carefully read through the notes with which the
reverse side was covered, and which, in addition to names and dates,
gave a number of more intimate particulars concerning the various
human-faced hounds composing the pack.
Then, with a certain deliberateness, he lighted the little red taper
with the help of which he always sealed his letters, and, holding what
had been the most valued of his minor treasures over the flame, Mr.
Gumberg watched it vanish into the flickering air above the taper. But
during the rest of that afternoon and evening his eyes often turned
towards the little tear-bottle, brought to him by a friend from Rome,
where he had carefully placed the pinch of brown ash which was all that
now remained of 'The Lady and her Pack.'
CHAPTER XV
'Ah, dear, but come them back to me!
Whatever change the days have wrought,
I find not yet one lonely thought
That cries against my wish for thee.'
I
Public-domain text, read in full here on John Shaqi.
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