But if literature was in her room only used in a decorative sense, the water-colours and drawings, the casts, and the bas-reliefs, which were so hung as to form a low dado down the whole length of the studio, were one and all of remarkable quality, and here you touched the quick reality of Penelope's life. In these matters she needed no advice, for, while as an artist she was truly humble, she only cared to measure herself with the best. There was something pathetic in this beautiful woman's desire to discover hidden genius; only certain French painters with whom she herself from time to time still studied could have told how generous and how intelligent was the help she was ever ready to bestow on those of her fellow art-students whose means were more slender than their talent. It was to these, so rich and yet so poor, that her heart really warmed; it was on them that she bestowed what time that she could spare from herself. And yet the room which was specially her own showed very few signs of artistic occupation. True, on a plain table were set out paint-boxes, palettes, sketch-books; but an unobservant visitor might have come and gone without knowing that the woman he had come to see ever took up a pencil or used a brush. The broad low dado, composed of comparatively small water-colours, drawings, and bas-reliefs, was twice broken, each time by a glazed oil-painting, each time by the portrait of a woman. To the left of the book-framed door, hung a painting of Penelope's mother, Lady Wantley. At every period of her life Lady Wantley had been one of those women whom artists delight to paint, and the great artist whose work this was had often had the privilege. But perhaps owing to certain peculiar circumstances connected with this portrait, it was the one of them that he himself preferred. The painting had been a commission from the sitter herself; she had wished to give this portrait to her husband on his sixtieth birthday, and together she and the painter, her friend, who had once owed to her and to Lord Wantley much in the way of sympathy and encouragement, had desired to suggest in the composition something which would be symbolic of what had been an almost ideal wedded life. Then, without warning, when the scheme had been scarcely sketched out, had come Lord Wantley's death away from home, and the portrait, scarcely begun, had been hastily put away, counted by the artist as among those half-finished things destined to remain tragic in their incompleteness. But some months later his old friend and patroness, clad in no widow's weeds, but in the curious black-and-white flowing draperies, and close Quakerish bonnet, which had become to her friends and acquaintances almost a portion of her identity, had come to see him, and he learnt that she wished her portrait should be finished.