"My dear Mrs. Breckenridge, that Clarence is now passing through a most
unfortunate, most lamentable, period in his life is, alas, perfectly
true. His mother--a lovely woman--was one of my wife's dearest friends,
one of my own. His first marriage was much against her wishes, poor
dear lady, and--as my wife was saying the other day--had she lived to
see him happily married again, and her grandchild in such good hands,
it could not but have been a great joy to her. Yes. ... Now, you and I
know Clarence--know his good points, and know his faults. That's one of
the sad things about us poor human beings, we get to know each other so
well! And isn't it equally true that we're not patient enough with each
other?--oh, yes, I know we try. But do we try HARD enough? Isn't there
generally some fault on both sides, quick words, angry, hasty actions,
argument and blame, when we say things we don't mean and that we are
sure to regret, eh? We all get tired of the stupid round of daily duty,
and of the people we are nearest to--that's a sad thing, too. We'd all
like a change, like to see if we couldn't do something else better! And
so comes the break, and the cloud on a fine old name, and all because
we aren't better soldiers--we don't want to march in line! Bless me,
don't I know the feeling myself? Why, that good little wife of mine
could tell you some tales of discouragement and disenchantment that
would make you open your eyes! But she braces me up, she puts heart
into me--and the first thing I know I'm marching again!"
And having comfortably shifted the entire trend of the conversation
from his parishioner to himself and found nothing insurmountable in his
own problem, the good bishop would chuckle mischievously at finding his
eminent self quite human after all, and would suggest their going in to
find Mrs. Bishop, and having a cup of tea. These women, always restless
and dissatisfied, were a part of his work; he prided himself upon the
swiftness and tact with which he disposed of them.
Rachael's mouth twisted wryly at the thought of him. No, she could not
bare her soul to the bishop.
Nor could she approach Father Graves with any real hope of a helping
word. To seek him out in his study--that esthetically bare and yet
beautiful room, with its tobacco-brown hangings and monastic furnishing
in black oak--would be to invite mischief. To sit there, with her
eloquent eyes fixed upon his, her haunting voice wrapping itself about
his senses, would be a genuine cruelty toward a harmless,
well-intentioned youth whose heroism in abjuring the world, the flesh,
and the devil had not yet been great enough to combat his superb and
dignified egotism. At best, he would be won by Rachael's revelation of
her soul to a long and frankly indiscreet talk of his own; at worst, he
would construe her confidences in an entirely personal sense, and feel
that she came not at all to the priest and all to the man.
Public-domain text, read in full here on John Shaqi.
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