Vivian Sartoris offered no further remark. Indeed she had drifted into
a low-toned conversation with a young man on the fender. Elinor
Vanderwall was neither pretty nor rich, and she was unmarried at
thirty-four, her social importance being further lessened by the fact
that she had five sisters, all unmarried, too, except Anna, the oldest,
whose son was in college. Anna was Mrs. Prince; her wedding was only a
long-ago memory now. Georgiana, who came next, was a calm, plain woman
of thirty-seven, interested in church work and organized charities.
Alice was musical and delicate. Elinor was worldly, decisive, the
social favorite among the sisters. Jeanette was boyish and brisk, a
splendid sportswoman, and Phyllis, at twenty-six, was still babyish and
appealing, tiny in build, and full of feminine charms.
All five were good dancers, good tennis and golf players, good
horsewomen, and good managers. All five dressed well, talked well, and
played excellent bridge. The fact of their not marrying was an eternal
mystery to their friends, to their wiry, nervous little father, and
their large, fat, serene mother; perhaps to themselves as well. They
met life, as they saw it, with great cleverness, making it a rule to do
little entertaining at home, where the preponderance of women was most
notable, and refusing to accept invitations except singly. The
Vanderwall girls were rarely seen together; each had her pose and kept
to it, each helped the others to maintain theirs in turn. Alice's
music, Georgiana's altruistic duties, these were matters of sacred
family tradition, and if outsiders sometimes speculated as to the
sisters' sincerity, at least no Vanderwall ever betrayed another. And
despite their obvious handicaps, the five girls were regarded as social
authorities, and their names were prominently displayed in newspaper
accounts of all smart affairs. While making a fine art of feminine
friendships, they yet diffused a general impression of being involved
in endless affairs of the heart. They were much in demand to fill in
bridge tables, to serve on club directorates, to amuse week-end
parties, to be present at house weddings, and to remain with the family
for the first blank day or two after the bride and groom were gone.
"Queer fellow, Breckenridge," said George Pomeroy, old Peter's nephew,
a red-faced, florid, simple man of forty.
Public-domain text, read in full here on John Shaqi.
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