The stumbling, uncertain words were unlike Mrs. Breckenridge's usual
certain flow of reasoning. But in spite of this, or because of it,
Billy was somewhat impressed.
"I had an aunt in California," Rachael continued, "who cried, and got
whipped and locked up, and all the rest of it, and she carried her
point. But she was unhappy. ..."
"You mean because Joe is divorced?" Billy asked in a somewhat troubled
voice.
The scarlet rushed to Rachael's face.
"N--not entirely," she answered in some confusion.
"That is, you don't think divorced people ought to remarry, even if the
divorce is fair enough?" Billy pursued, determined to be clear.
"Well, I suppose every case is different, Bill."
"That's what you've always SAID!" Billy accused her vivaciously. "You
said, time and time again, that if people can't live together in peace
they OUGHT to separate, but that it was another thing if they married
again!"
"Did I?" Rachael asked weakly, adding a moment later, with obvious
relief in her tone: "Here we are! It's only this, Bill," she finished,
as they mounted the brownstone steps, "be sure. You can do anything, I
suppose. Only be sure!"
Mrs. Gregory would be down in a few minutes, old Dennison said. Rachael
murmured something amiable, and the two went into the dark, handsome
parlors; the house was full of parlors; on both sides of the hall
stately, crowded rooms could be glimpsed through open doors.
"Isn't it fierce?" Billy said with a helpless shrug. Rachael smiled and
shook her head slowly in puzzled consent. "Don't you suppose they ever
AIR it?" pursued the younger woman in a low tone. The air had a
peculiarly close, dry smell.
"It wouldn't seem so," Rachael said, looking at the life-size statues
of Moorish and Neopolitan girls, the mantel clock representing a Dutch
windmill, the mantel itself, of black marble, gilded and columned, with
a mirror in a carved walnut frame stretching ten feet above it, the
beaded fire screen, the voluminous window curtains of tasselled rep,
and the ornate walnut table across whose marble top a strip of lace had
been laid. Everything was ugly and expensive and almost everything was
old-fashioned, all the level surfaces of tables, mantel, and piano top
were filled with small articles, bits of ivory carving from China,
leather boxes, majolica jars, photographs in heavy frames, enormous
illustrated books, candlesticks, and odd teacups and trays.
Public-domain text, read in full here on John Shaqi.
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