Smiling down--how Rachael knew that smile, half-quizzical and
half-tender--from a corner of the room was a beautiful oil portrait of
Warren Gregory, the one really fine thing in the room. By some chance
the painter had caught on his face the very look with which he might,
in the flesh, have studied this dreadful room. Rachael felt a thrill go
to her heels as she looked back at the canvas, and far down in the
deeps of her being the thought stirred that some day her hand might be
the one to change all this--to make the woodwork colonial white, and
the paper rich with color, to have the black marble changed to creamy
tiles, and the rep curtains torn away. Then how charming the place
would be when visitors came in from the hot street!
"A million apologies--all my fault!" said Doctor Gregory in the
doorway. His mother, in rustling black silk, was on his arm. She had
given up her cane to-day to use the living support, and no lover could
have wished to appear more charming in his lady's eyes than did Warren
Gregory appear to Rachael as he lowered the frail old figure to a chair
and neglected his guests while he made his mother comfortable.
"He would have you think, now, that I was the cause of the delay," said
the old lady in a sweet voice that betrayed curiously the weakness of
the flesh and the strength of the spirit. "But I assure you my beauty
is no longer a matter of great importance to me!"
"So it was Greg who was curling his hair?" Rachael asked, with one
swift and eloquent glance for him before she drew a much-fringed
hassock to his mother's knee and seated herself there with the
confidence of a captivating child. "I always thought he was rather
vain! But let's not talk about him, we only make him worse. Tell me
about yourself?"
Mrs. Gregory was a rather spirited old lady, and liked to fancy, with
the pathetic complacency of the passing generation, that her sense of
humor quite kept up with the times. Rachael knew her well, and knew all
her stories, but this only made her the pleasanter companion. She
quickly carried the conversation into the past, and was content to be a
listener; indeed, with a hostess far removed in type from herself it
was the only safe role to play. The conversation was full of pitfalls
for this charming and dutiful worldling, and Rachael was too clever to
risk a fall.
She was afraid of the crippled little gentlewoman in the big chair, and
Warren Gregory was afraid, too. Some mysterious element in her regard
for them made luncheon an ordeal for them both, although Billy's
healthy young eyes saw only an old woman, impotent and alone; the maids
were respectful and pitying, and young Charles Gregory, who joined them
at luncheon, Was obviously unimpressed by his grandmother's power, but
was smitten red and inarticulate at the first glimpse of Billy.
Public-domain text, read in full here on John Shaqi.
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