But Scone, in its semi-urbanity, is no fair specimen of a Scottish village, nor are we yet in the Highlands, though hints of them peep to view as we pass up towards the blue Grampian barrier. We soon come, indeed, to a manufacturing nook, a “white country” of Perthshire, where the river, swollen by several streams uniting as the Luncarty Burn, washes the bleach-fields of that ilk and the cotton mills of Stanley. But these meads of Luncarty were once dyed red rather than white, when the Danes had almost overcome a Scottish king, till a peasant named Hay, with his two sons, held a narrow pass so well with his ploughshare that the Vikings in turn were put to flight by those rustic champions, claimed as ancestors for the House of Errol. Be this a fable or no, when the bleach-field came to be laid out, several tumuli were opened containing skeletons and weapons. The whole country on both sides of the river is studded with Druidical stones, with camps and gravemounds, and with sites of old tradition, such as that ascribed to Macbeth’s castle, where the Sidlaw Hills swell up behind the left bank of the Tay, winding round them under the wooded cliffs of Kinnoull, making such a bend that a house I have reason to know stands equidistant between two reaches, which are nearly a score of miles apart by the bank. Should I be spared another score of years or so, I could tell some queer tales about more than one late laird in this nook, whose memory at present must rest in the truce _de mortuis_. As for Macbeth’s memory, I have already shown some hint of materials for whitewashing it. Why was not Shakespeare told of this Thane being an elder in the Wee Free Church, when King Duncan must needs send his loons south, one to Oxford and one to Cambridge, who came back dropping their _h_’s, whustling on the Sabbath, and such-like; then what for no should an outraged patriot but yoke with the sword of Gideon on the whole Erastian hypothec? As for Lady Macbeth, does not Shakespeare himself admit evidence to justify a soft-hearted verdict of temporary insanity? Above the mills of Stanley we come to Campsie Linn, the first romantic scene of the Tay, on which is set the last tableau in _The Fair Maid of Perth_. Such a picturesque nook tempted the monks of Cupar to build a retreat on the precipitous rock above its cataract; and here was the country seat of the Mercers, that mediæval trading family of Perth, already mentioned as growing into nobility. But the great name hereabouts in the old days was the Drummonds, lords of Stobhall on the Tay, their principal residence till they built a more lordly one in Strathearn.