On our way through Quallatown to Soco creek, we passed numerous wayfarers carrying corn, fruit, baskets, and babies. One woman had a bushel of corn tied in a sack around her waist, a basket of apples on her head, and a baby in her arms. A slouchy man was walking at her side empty-handed and scolding, probably because she was unable to carry him. Under a peach tree before a cabin stood a witch-like squaw and half a dozen unattractive children. “Is this the Soco road?” was asked. “Satula” issued from her grim old mouth, and her finger pointed at the peaches. “No, Soco; is this Soco?” nervously urged our companion, pointing up the stream. “Uh,” she grunted out, and handed him one peach, from which we inferred that “soco” means “one.” A white woman in the vicinity confirmed our guess, and told us that “satula” is equivalent to the phrase “do you want it?” Pause, and look at an “Indian maiden” by the road side. We did. Who, that has read Longfellow, and Cooper, and Irving, could pass without looking? She certainly could not have been the inspiration of Longfellow’s Hiawatha. She stands, in my recollection, with fishing rod in hand--about five feet tall, and 140 pounds in weight. Black, coarse, knotted hair hangs down her back to the waist. Under her low forehead is a pair of large, black eyes, which, unfortunately, are devoid of expression. Her cheek bones are wider than her forehead and almost touch the level of her eyes. A flat nose, straight mouth, and small ears, complete the physiognomy which showed no sign of thinking. Her neck is short and thick, and her shoulders broader than her broad hips. Her waist is almost manly. A gown of homespun, patched and dirty, half conceals her knees. With a glance at a large, but clumsy, pair of ankles, and flat feet, we pass on out of the Indian settlement along the rapids of Soco. We had not been approached by a beggar, or asked to buy a penny worth of anything during the whole day.