"Nonsense. You sit right down while I grind the coffee. I'll have you
a potful in no time. I make pretty good coffee if I do say it myself."
"I'll bet you do."
"But my sister Jane makes better. You'll get some of hers at dinner."
"Dinner?" He stared blankly.
"Of course, dinner. When Mother and Father are away I always go down
there for my meals. It's only a quarter-mile down stream. Shorter if
you climb that ridge. But it's so stony I generally go along the creek
bank where I can gallop.... What? Why, of course you're going with
me. Jane would never forgive me if I didn't bring you. And what would
Chuck say if you came this far and then didn't go on down to his
house? Don't you suppose he enjoys seeing his old friends? It was only
last week I heard him wonder to Father if you were ever coming back to
this country. How did you like it up at the Bend?"
"Right fine," he told her, settling himself comfortably in the chair
she had indicated. "But a feller gets tired of one place after a
while. I thought maybe I'd come back to the Lazy River and get a job
ridin' the range again."
"Aren't there any ranches round the Bend?" she asked, poking up the
fire and setting on the coffee-pot.
"Plenty, but I--I like the Lazy River country," he told her. "Fort
Creek country for yores truly, now and hereafter."
In this fashion did the proposed journey to Arizona go glimmering. His
eye lingered on the banjo where it lay on the table.
"Can you play it?" she asked, her eye following his.
"Some," said he. "Want to hear a camp-meeting song?"
She nodded. He rose and picked up the banjo. He placed a foot on the
chair seat, slid the banjo to rest on his thigh, swept the strings,
and broke into "Inchin' Along". Which ditty made her laugh. For it is
a funny song, and he sang it well.
"That was fine," she told him when he had sung it through. "Your voice
sounds a lot like that of a man I heard singing in Farewell yesterday.
He was in the Happy Heart when I was going by, and he sang _Jog on,
jog on the footpath way_. If it hadn't been a saloon I'd have gone in.
I just _love_ the old songs."
"You do?" said he, delightedly, with shining eyes. "Well, Miss Dale,
that feller in the saloon was me, and old songs is where I live. I
cut my teeth on 'The Barley Mow' and grew up with 'Barbara Allen'. My
mother she used to sing 'em all. She was a great hand to sing and she
taught me. Know 'The Keel Row?'"
She didn't, so he sang it for her. And others he sang, too--"The Merry
Cuckoo" and "The Bailiff's Daughter". The last she liked so well that
he sang it three times over, and they quite forgot the coffee.
Racey Dawson was starting the second verse of "Sourwood Mountain" when
someone without coughed apologetically. Racey stopped singing and
looked toward the doorway. Standing in the sunken half-round log that
served as a doorstep was the stranger he had seen with Lanpher.
Public-domain text, read in full here on John Shaqi.
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