The Heart of the Red Firs: A Story of the Pacific NorthwestAnderson, Ada Woodruff
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The Heart of the Red Firs: A Story of the Pacific Northwest
Anderson, Ada Woodruff
Northwest, Pacific -- Fiction
Forrest settled himself in one of his easy attitudes in front of the
fire. "It reminds me of a trip I made last year over the new railroad
in Oregon." He paused and his listeners waited, expectantly. He had a
deep, pleasing voice and the gift of the story teller. "They had taken
me aboard a construction train. There are points on the Columbia where
the slopes rise abruptly eight hundred feet, and the soil is loose with
a perilous mixture of boulders. They had scores of Chinamen at work to
bulkhead these places, and the big timbers up there looked like
scaffoldings of toothpicks. But a whole crew of track-walkers couldn’t
keep the danger off, and we were speeding along when suddenly there was
a terrific sound. It was like musketry multiplied by echoes on echoes.
Then looking up we saw ahead an immense rock moving down the mountain.
The engineer reversed his lever and jumped. The next instant the
boulder struck the engine and hurled it into the river."
She caught her breath. "And you, Paul?"
"I?" He turned to her with his smile of the eyes. "Why, I was in the
caboose. The coupling broke and separated the rest of the train from
the engine. It was the closest shave I ever had."
"And you never told me."
"The greatest devastator is the frost," he said after a moment. "It
drives the wedge ready for the heavy rains. But I remember a place on
the Snoqualmie that has been crossed by an avalanche of snow. It has
left a clean-swept track through the timber, and the trees, hurled with
incredible force, block the river from bank to bank. It’s the most
terrible jam ever heard of. You know the place, Eben?"
But the settler answered only with a gentle nod. He sat with his chin
on his breast, holding his empty pipe on his knee. Martha nudged him,
but he slept placidly on.
Alice lifted her glance once more to the shadowy slope. Presently she
began to sing in a sweet undertone, "The Day Is Done." And after the
first measure Forrest took up the song, and the two voices, rising,
swelling, started a refrain from cliff and spur. The last echo drifted
and died in a far canyon. A great hush rested on the wilderness. There
was a soft illumination on a high peak, then every crest and shoulder
was silvered by the rising moon.
The song was followed by many; the parts of old operas which they had
been accustomed to sing with her sister and Philip, on winter evenings
in Judge Kingsley’s parlor, or in summer time becalmed aboard the
_Phantom_. And at last it was Schubert’s "Serenade."
Forrest rose to his feet and stood with his arms resting on the top of
the trunk behind her. This song had always been a favorite; they sang
it well together. But a new personality crept into the familiar tones;
an awakened sadness. And the romance of the place, the mystery of night
and the near heavens, gave setting to his part and spoke for him.
Public-domain text, read in full here on John Shaqi.
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