The Heart of the Red Firs: A Story of the Pacific NorthwestAnderson, Ada Woodruff
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The Heart of the Red Firs: A Story of the Pacific Northwest
Anderson, Ada Woodruff
Northwest, Pacific -- Fiction
The children were putting away their books. The afternoon sun,
streaming through the uncurtained windows, made patches of heat on the
hewn cedar flooring, and the new, unpainted desks sent forth pitch and
the fragrance of fir. Suddenly a shadow crossed one of these squares of
light, and Lem Myers, who was seated nearest the raised sash, whispered
an audible warning: "Mose, your dad’s comin’."
The boy sprang to his feet and stood facing the open door. The intruder
entered without ceremony. He had the lank black hair and mustache, eyes
flashing under shaggy brows, of the Canadian-French, and the powerful
shoulders and sinewy frame of a voyageur of the Hudson Bay Company. Two
hounds which followed him, stopped with their forepaws on the threshold
and reconnoitered the room suspiciously.
He strode directly up the aisle to the waiting boy, and laying a hand
roughly on his neck, said, with growing heat, "Din’ I tell you doan’ tek
dat gun? Oui, two, t’ree tam I ees say let eet ’lone."
Mose rocked under the grasp but he bore it with the silent fortitude
inherited from an Indian mother; the white in him only found expression
in the dull glow of his cheek, the tense arms and the hands clenched at
his sides.
"Din’ I say A’m goin’ t’rash you? Nawitka, for sure. T’ief! Cultus
Siwash!" And with a climax of invective, hurled forth in a mixture of
French, English and Indian, the man raised his hand and struck a hard
blow.
Before he could repeat it the teacher stepped between them. She had a
bright, speaking face, eyes that laughed or stormed on occasion, a mouth
mobile, alluring, with charm of lurking merriment, and a chin delicately
square, that lifted when she spoke, with an indescribable air of
decision.
"How do you do, Mr. Laramie," she said, and offered her hand, while, at
the same time, with the other palm she impelled Mose back into his seat.
"You are just in time to hear us sing."
He had ignored the hand, but she quickly placed her chair for him,
smiling, and commenced in a clear, full mezzo:
"We now are youthful sailors, we are not far from shore,
But soon we mean to journey the ocean o’er and o’er."
She lifted her music book from her desk and found the place for him, but
he refused it with a shake of his head, and taking the seat with
manifest reluctance, pulled his old squirrel-skin cap over his brows,
scowling first at her, then more darkly at Mose, and finally in general
at the school.
The children swelled the chorus lustily. And the Canadian liked music.
It was his vulnerable point. He began to beat time to this brisk
measure with his clumsy boot; cautiously at first, then with great
vigor, while his voice broke into a hoarse hum.
The song was hardly finished when she tapped the bell for dismissal.
"It ees gre’t museek," said Laramie, rising. "Oui, a gre’t song." His
glance moved, challenging possible contradiction, and rested on Mose’s
seat. It was vacant. "Dem it," he cried with returning wrath.
Public-domain text, read in full here on John Shaqi.
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