By the side of the golden horse stood Marion. Still shocked and
bewildered, yet strangely thrilled, she had stretched out one
trembling arm, and rested her hand on the neck of the wild creature,
from which every other person in the crowd around--and she too in her
right senses--had kept away, in full appreciation of his reputation.
Whether it was that the outlaw had for the time given up all notion of
resistance and hostility, or that he felt the difference between the
girl's gentle touch and the rough handling he had undergone, he did
not stir. But this docility, this understanding, was only a part of
the sight that brought Haig to a standstill.
He had left many things behind him, but there was one thing he had not
been, able to destroy as he would have destroyed it, root and branch
and flower. He would always have a weakness--he called it that--for
beauty in whatever form it appeared to him. Sunsets and twilights, the
shadows of trees in still waters, flowers and reeds, old ruins in the
moonlight, sometimes even faces moved him until he was ashamed, and
berated himself for a sentimental weakling. And now--
The girl was tawny as a leopard. Her hair was almost exactly the color
of the outlaw's dull yellow mane, but finer, of course, and softer;
and her complexion--he wondered that he had not noticed it before--had
a peculiar richness and brilliancy that seemed to reflect the luster
of Sunnysides' golden hide. They stood there entrancing his artist-eye
with their perfect harmony of line and color; and the last thin rays
of the setting sun bathed horse and girl in a golden light--an
atmosphere in which they glowed like one of Titian's mellowed
canvases.
"Don't move, please!" he exclaimed.
But Marion did not hear, or did not heed. She dropped her hand, and
glided toward him, while he watched her, curious and rapt. Perhaps it
was because he saw her through that golden glow, perhaps because his
nerves were a little unsteady in the reaction from the strain they had
undergone, that she made a singular appeal to his imagination. He
fancied that for all the fineness of her figure, the exquisite poise
of her small head, the cameo-like delicacy of her face, there was
something in her as wild, untamed, and elemental as the heart of
Sunnysides.
Thus she moved slowly past him, and passing gave him a long and steady
look, with an unfathomable expression in her eyes,--an expression
neither of anger nor of bitterness nor of disgust nor of anything he
might have expected after all he had done that day. He turned, and
watched her until she had disappeared in the crowd around the
stagecoach; and with her went out the last rays of the sun.
"Well, I'll be damned!" said Philip Haig.
With a shake of his shoulders, as if to throw off some unwelcome
weight upon them, he turned again to take up his business with the
gaping cow-punchers.
CHAPTER V
"HE SHALL TELL ME!"
Public-domain text, read in full here on John Shaqi.
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