Just below this still fashionable hotel is the "Three Mariners" with
its "four-centred Tudor arch over the entrance". The original inn has
vanished, but the present one occupies its site. On the opposite side
of the way stands the "Phoenix", but risen again from her ashes since
it was the scene of Jenny's last dance in one of the _Wessex Poems_:--
"'Twas Christmas and the Phoenix Inn
Was lit by tapers tall,
For thirty of the trooper men
Had vowed to give a ball,
As "Theirs" had done (fame handed down)
When lying in the self-same town,
Ere Buonaparte's fall".
[Illustration: PUDDLETOWN]
At the end of the street, and standing a little way back from the
roadway, is the White Hart, once a famous coaching inn, and one which,
although somewhat modernized, still carries its emblem, a large white
hart, above the main entrance. To this hostelry came Sergeant Troy
after appearing at Greenhill Fair as the Great Cosmopolitan Equestrian
who played the part of "Dick Turpin" at the circus; and here, too, the
carrier Burthen conveyed the story-tellers, the "Crusted Characters".
This inn is also mentioned in connection with Gertrude Lodge of _The
Withered Arm_.
Although the glories of its coaching days are but memories of the
past, and notwithstanding that the motorists pass so unpretentious a
building for the more attractive-looking King's Arms, the despised of
the modern traveller has retained a portion of its old-time custom and
prosperity, by reason of its being the inn at which the carriers'
carts deposit their morning and take up their evening passengers. The
loading of a "tranter's" cart with men, women, and children, not to
mention the immense packages of millinery, garden produce, and
poultry, is a fine art that could have been evolved only by centuries
of experience. To watch one of these caravans from the heart of Dorset
disgorge its contents reminds one of nothing so much as the conjuror's
hat at our first "grown-up" Christmas party. How so many human beings
can be squeezed into the few cubic feet left over from the merchandise
is a mystery, the knowledge of which would make the fortune of an
enterprising omnibus company. When meeting one of these Noah's Arks in
the country one would think at first sight that it contained men only,
although the incessant chattering that proceeds from the cavernous
depths of the vehicle has a distinctly feminine note. The reason for
this is that the "gaffers" occupy the front seats, where they smoke,
make sarcastic and distinctly personal remarks to their stay-at-home
neighbours, who gaze with envious eyes from their doorsteps, and keep
a keen eye on the various crops that grow along the sides of the
route. No matter what the weather, and whatever the season of the
year, the men sit over the horse's tail, the gloomy interior of the
vehicle, being allotted to the women and children, garden produce, and
occasional live stock. The return journey affords the travellers no
Public-domain text, read in full here on John Shaqi.
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