French essays -- Translations into English; World War, 1914-1918 -- Influence
What is to be done? How is one to introduce them to a larger, fuller
life? How can one dare to do that without presumption, and also without
fear of pomposity? How do it with affection, without lecturing them,
without preaching to them? How be useful and friendly with simplicity?
They have suffered, they have experience and obstinate views of their
own. They do not believe that they have been dispossessed of anything.
You have to listen very attentively to hear their soul groaning in the
depths.
I spoke to one of them about music. He replied with an indifference
in which there was a touch of discouragement; “For my part, I don’t
understand music. It can’t interest me.” We went on talking and I
discovered that he was strangely sensitive to architectual matters,
that he had a very subtle understanding and lacked nothing but
enlightenment, knowledge, to have applied himself to it with passionate
interest.
It is usually that way. The field of moral activity is so large that it
has in reserve for every soul a path of his own choice, accessible and
full of allurement. I do not believe there is a single individual who
cannot end by meeting, in the limitless realm of art, with a mode of
expression that touches him, conforms quite accurately to his powers
and tastes.
V
You see I have waited a long time before pronouncing the word. I must
at last make up my mind to call art by its name. Listen and do not
confuse modesty with timidity.
The past century has produced important artists in every country in
the world. That was a beautiful, fertile and truly generous century!
And yet it witnessed the birth of a misunderstanding that grows more
obdurate, that increases as it grows older. Should one ever allow a
misunderstanding to grow old?
The romantic writers and, following them, all the artists of their
epoch, intoxicated with their own genius, honored art as a religion.
It was natural enough since at that moment, as we know, mankind was
beginning to detach itself from its divinities, and it is hard to live
without God. I cannot bring myself to condemn that enthusiasm. I love
art too well, and I shall always hold it as one of the distinguishing
marks of man and one of the greatest things in this world.
But the priests of this new God have acted like all priests: they have
hurled anathemas and brought in a reign of intolerance. They have grown
mad with pride, when there was reason and when there was no reason
for it. They have cried out at all hours of the day, “Away, profane
ones!” Many of them, who have had very noble souls, have discouraged,
as if designedly, those whom their radiant face has fascinated. Others,
instead of struggling, have held the epoch responsible for their
ill-fortune. All of them, poets, painters, musicians, have let it be
understood that they exercised a divine power and that the mass of men
must only wonder and be silent, without themselves attempting anything
of the sort.
Public-domain text, read in full here on John Shaqi.
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