"I care not for my fine petticoat," said she in a petulant way, like that of a spoiled child who is forbidden sweets and the moon, and questions love in consequence, yet still there was some little fear and hesitation in her tone. Mistress Mary was a most docile pupil, seeming to have great respect for my years and my learning, and was as gentle under my hand as was her Merry Roger under hers, and yet with the same sort of gentleness, which is as the pupil and not as the master decides, and let the pull of the other will be felt. I answered not, yet kept at my distance, but at the next miry place she held in Merry Roger until I was forced to come up, and then she spoke again, and as she spoke a mock-bird was singing somewhere over on the bank of the river. "Did you ever hear a sweeter bird's song than that, Master Wingfield?" said she, and I answered that it was very sweet, as indeed it was. "What do you think the bird is mocking, Master Wingfield?" said she, and then I answered like a fool, for the man who meets sweetness with his own bitterness and keeps it not locked in his own soul is a fool. "I know not," said I, "but he may be mocking the hope of the spring, and he may be mocking the hope in the heart of man. The song seems too sweet for a mock of any bird which has no thought beyond this year's nest." I spoke thus as I would not now, when I have learned that the soul of man, like the moon, hath a face which he should keep ever turned toward the Unseen, and Mistress Mary's blue eyes, as helpless of comprehension as a flower, looked in mine. "But there will be another spring, Master Wingfield," said she somewhat timidly, and then she added, and I knew that she was blushing under her mask at her own tenderness, "and sometimes the hopes of the heart come true."