Man-woman relationships -- Religious aspects -- Fiction; Methodist Church -- Clergy -- Fiction
"I felt just as you do about it a year ago to-day," he answered me
quietly. "As you state the case of religion as emotion versus reason, it
doesn't exist. Religion is reason plus emotion, and when you combine the
two the eyes of your soul are open, whereas they had been closed. Nobody
can tell you about it, but you begin really to live when you see and
comprehend. Yes, it is going to take all the scientific reason the world
possesses to start its salvation, but it will not get far without
'emotion,' as you call what I _know_ is love of God, and, through that
love, compassion for man."
"The assumption that every man is blind who does not believe as you do,
stops all argument," I said scornfully.
"I didn't come to talk religion with you; I came over to get that apple
dumpling off my conscience, as I couldn't digest it because it wasn't
there. I preach twice, on Sunday and on Wednesday night, and I'm in my
study behind the altar every afternoon that I'm not playing tennis. I'll
be there any time by appointment." The worldly and protective raillery
in that young Methodist minister's voice almost interrupted my religious
researches, but I was in depths that were strange to me, and I was
floundering for a line out.
"I'll never be there," I flared at him, then went on with my
floundering. "If a man is blind, how can he gain the sight that you
arrogate to yourself?"
"A great man once prayed, 'Lord, help thou my unbelief,'" was the gentle
answer in which was that queer note of apostolic surety with which I
heard him address the woman in the garden that night.
"I can't pray--there's nothing there," I said in a very small voice that
I could scarcely recognize as my own. "Oh, I mean that we are all
floundering, and where can we get the lifeline? Where did you get the
line that you think will pull you out of the vortex?"
Then for a long moment he and I sat again involved in the emptiness of
the universe that Tristan's love song had opened for us, and I knew that
with ruthless feet I had entered his Holy of Holies and was being
allowed to stand across the threshold.
"Forgive me," I gasped.
"I never felt that I could tell it before," he said, slowly, and the
bounds of the emptiness retreated still further away as he turned so
that he sat facing me and again bent his dull gold head closer to mine.
In a second I knew why in my mind I had been calling him a Harpeth
jaguar. It was just my pictorial expression for the word freedom, the
freedom that comes from power. I knew that mentally and bodily I was
looking upon the first free man I had ever encountered, and I was
abashed.
"Don't tell me," I said, with a gentleness in my voice I had never heard
before, and that came from something that I felt to be strangely like
meekness, though I had never before met that emotion in myself.
Public-domain text, read in full here on John Shaqi.
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