The Hedge School; The Midnight Mass; The Donagh: Traits And Stories Of The Irish Peasantry, The Works of; William Carleton, Volume ThreeCarleton, William
History
The Hedge School; The Midnight Mass; The Donagh: Traits And Stories Of The Irish Peasantry, The Works of; William Carleton, Volume Three
Carleton, William
Ireland -- Social life and customs -- Fiction
Those parts of his face which had not been stained with her blood
assumed an ashy paleness, and rendered his countenance more terrific by
the contrast. Tall, powerful, and motionless, he appeared to the crowd,
glaring at the girl like a tiger anxious to join his offspring, yet
stunned with the shock of the bullet which has touched a vital part.
His iron-gray hair, as it fell in thick masses about his neck, was moved
slightly by the blast, and a lock which fell over his temple was blown
back with a motion rendered more distinct by his statue-like attitude,
immovable as death.
A silent and awful gathering of the people around this impressive scene,
intimated their knowledge of what they considered to be a judicial
punishment annexed to perjury upon the Donagh. This relic lay on the
table, and the eyes of those stood within view of it, turned from
Anthony's countenance to it, and again back to his blood-stained visage,
with all the overwhelming influence of superstitious fear. Shudderings,
tremblings, crossings, and ejaculations marked their conduct and
feeling; for though the incident in itself was simply a fatal and
uncommon one, yet they considered it supernatural and miraculous.
[Illustration: PAGE 899-- Have I murdhered my daughter?]
At length a loud and agonizing cry burst from the lips of Meehan--“Oh,
God!--God of heaven an' earth!--have I murdhered my daughter?” and he
cast down the fatal weapon with a force which buried it some inches into
the wet clay.
The crowd had closed upon Anne; but with the strength of a giant he
flung them aside, caught the girl in his arms, and pressed her bleeding
to his bosom. He gasped for breath: “Anne,” said he, “Anne, I am without
hope, an' there's none to forgive me except you;--none at all: from God,
to the poorest of his creatures, I am hated an' cursed, by all, except
you! Don't curse me, Anne; don't curse me! Oh, isn't it enough, darlin',
that my sowl is now stained with your blood, along with my other crimes?
In hell, on earth, an' in heaven, there's none to forgive your father
but yourself!--none! none! Oh, what's comin' over me! I'm dizzy an'
shiverin'! How cowld the day's got of a sudden! Hould up, avourneen
machree! I was a bad man; but to you Anne, I was not as I was to every
one! Darlin', oh look at me with forgiveness in your eye, or any way
don't curse me! Oh! I'm far cowlder now! Tell me that you forgive me,
_acushla oge machree!--Manim asthee ha_, darlin', say it. I darn't look
to God! but oh! do you say the forgivin' word to your father before you
die!”
Public-domain text, read in full here on John Shaqi.
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