The Hedge School; The Midnight Mass; The Donagh: Traits And Stories Of The Irish Peasantry, The Works of; William Carleton, Volume ThreeCarleton, William
History
The Hedge School; The Midnight Mass; The Donagh: Traits And Stories Of The Irish Peasantry, The Works of; William Carleton, Volume Three
Carleton, William
Ireland -- Social life and customs -- Fiction
The reader will then be pleased to picture to himself such a house as I
have already described--in a line with the hedge; the eave of the back
roof within a foot of the ground behind it; a large hole exactly in the
middle of the “riggin',” as a chimney; immediately under which is an
excavation in the floor, burned away by a large fire of turf, loosely
heaped together. This is surrounded by a circle of urchins, sitting
on the bare earth, stones, and hassocks, and exhibiting a series of
speckled shins, all radiating towards the fire, like sausages on a
Poloni dish. There they are--wedged as close as they can sit; one with
half a thigh off his breeches--another with half an arm off his tattered
coat--a third without breeches at all, wearing, as a substitute, a piece
of his mother's old petticoat, pinned about his loins--a fourth, no
coat--a fifth, with a cap on him, because he has got a scald, from
having sat under the juice of fresh hung bacon--a sixth with a black
eye--a seventh two rags about his heels to keep his kibes clean--an
eighth crying to get home, because he has got a headache, though it may
be as well to hint, that there is a drag-hunt to start from beside his
father's in the course of the day. In this ring, with his legs stretched
in a most lordly manner, sits, upon a deal chair, Mat himself, with
his hat on, basking in the enjoyment of unlimited authority. His dress
consists of a black coat, considerably in want of repair, transferred to
his shoulders through the means of a clothes-broker in the county-town;
a white cravat, round a large stuffing, having that part which comes in
contact with the chin somewhat streaked with brown--a black waistcoat,
with one or two “tooth-an'-egg” metal buttons sewed on where the
original had fallen off--black corduroy inexpressibles, twice dyed, and
sheep's-gray stockings. In his hand is a large, broad ruler, the emblem
of his power, the woful instrument of executive justice, and the signal
of terror to all within his jurisdiction. In a corner below is a pile
of turf, where on entering, every boy throws his two sods, with a hitch
from under his left arm. He then comes up to the master, catches his
forelock with finger and thumb, and bobs down his head, by way of making
him a bow, and goes to his seat. Along the walls on the ground is a
series of round stones, some of them capped with a straw collar or
hassock, on which the boys sit; others have bosses, and many of
them hobs--a light but compact kind of boggy substance found in the
mountains. On these several of them sit; the greater number of them,
however, have no seats whatever, but squat themselves down, without
compunction, on the hard floor. Hung about, on wooden pegs driven into
the walls, are the shapeless yellow “caubeens” of such as can boast the
luxury of a hat, or caps made of goat or hare's skin, the latter having
the ears of the animal rising ludicrously over the temples, or cocked
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account