The Hedge School; The Midnight Mass; The Donagh: Traits And Stories Of The Irish Peasantry, The Works of; William Carleton, Volume ThreeCarleton, William
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The Hedge School; The Midnight Mass; The Donagh: Traits And Stories Of The Irish Peasantry, The Works of; William Carleton, Volume Three
Carleton, William
Ireland -- Social life and customs -- Fiction
The Irish dance, like every other assembly composed of Irishmen and
Irishwomen, presents the spectators with those traits which enter into
our conception of rollicking fun and broad humor. The very arrangements
are laughable; and when joined to the eccentric strains of some blind
fiddler like Barny Dhal, to the grotesque and caricaturish faces of the
men, and the modest, but evidently arch and laughter-loving countenances
of the females, they cannot fail to impress an observing mind with
the obvious truth, that a nation of people so thoughtless and easily
directed from the serious and useful pursuits of life to such scenes,
can seldom be industrious and wealthy, nor, despite their mirth and
humor, a happy people.
The barn in which they danced on this occasion was a large one.
Around the walls were placed as many seats as could be spared from
the neighbors' houses; these were eked out by sacks of corn laid
length-wise, logs of round timber, old creels, iron pots with their
bottoms turned up, and some of them in their usual position. On these
were the youngsters seated, many of the “boys” with their sweethearts on
their knees, the arms of the fair ones lovingly around their necks; and,
on the contrary many of the young women with their bachelors on their
laps, their own necks also gallantly encircled by the arms of their
admirers. Up in a corner sat Barny, surrounded by the seniors of the
village, sawing the fiddle with indefatigable vigor, and leading the
conversation with equal spirit. Indeed, his laugh was the loudest, and
his joke the best; whilst, ever and anon, his music became perfectly
furious--that is to say, when he rasped the fiddle with a desperate
effort “to overtake the dancers,” from whom, in the heat of the
conversation, he had unwittingly lagged behind.
Dancing in Ireland, like everything else connected with the amusement of
the people, is frequently productive of bloodshed. It is not unusual for
crack dancers from opposite parishes, or from distant parts of the same
parish, to meet and dance against each other for victory. But as the
judges in those cases consist of the respective friends or factions of
the champions, their mode of decision may readily be conjectured. Many
a battle is fought in consequence of such challenges, the result usually
being that not he who has the lightest heel, but the hardest head,
generally comes off the conqueror.
Public-domain text, read in full here on John Shaqi.
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