The Hedge School; The Midnight Mass; The Donagh: Traits And Stories Of The Irish Peasantry, The Works of; William Carleton, Volume ThreeCarleton, William
History
The Hedge School; The Midnight Mass; The Donagh: Traits And Stories Of The Irish Peasantry, The Works of; William Carleton, Volume Three
Carleton, William
Ireland -- Social life and customs -- Fiction
During stated periods of the night, those who took the most prominent
part in the dance, got a plate and hat, with which they went round the
youngsters, to make collections for the fiddler. Barny reserved his best
and most sarcastic jokes for these occasions; for so correct was
his ear, that he felt little difficulty in detecting those whose
contributions to him were such as he did not relish.
The aptitude of the Irish for enjoying humorous images was well
displayed by one or two circumstances which occurred on this night. A
few of both sexes, who had come rather late, could get no other seats
than the metal pots to which we have alluded. The young women were
dressed in white, and their companions, who were also their admirers,
exhibited, in proud display, each a bran-new suit, consisting of
broadcloth coat, yellow-buff vest, and corduroy small-clothes, with a
bunch of broad silk ribbons standing out at each knee. They were the
sons and daughters of respectable farmers, but as all distinctions here
entirely ceased, they were fain to rest contented with such seats as
they could get, which on this occasion consisted of the pots aforesaid.
No sooner, however, had they risen to dance than the house was convulsed
with laughter, heightened by the sturdy vigor with which, unconscious of
their appearance, they continued to dance. That part of the white female
dresses which had come in contact with the pots, exhibited a circle
like the full moon, and was black as pitch. Nor were their partners
more lucky: those who sat on the mouths of the pots had the back part
of their dresses streaked with dark circles, equally ludicrous. The mad
mirth with which they danced, in spite of their grotesque appearance,
was irresistible. This, and other incidents quite as pleasant--such as
the case of a wag who purposely sank himself into one of the pots, until
it stuck to him through half the dance--increased the laughter, and
disposed them to peace and cordiality.
No man took a more active part in these frolics than young Frank
M'Kenna. It is true, a keen eye might have noticed under his gayety
something of a moody and dissatisfied air. As he moved about from time
to time, he whispered something to above a dozen persons, who were well
known in the country as his intimate companions, young fellows whose
disposition and character were notoriously bad. When he communicated
the whisper, a nod of assent was given by his confidants, after which it
might be remarked that they moved round to the door with a caution that
betrayed a fear of observation, and quietly slunk out of the barn one
by one, though Frank himself did not immediately follow them. In about
a quarter of an hour afterwards, Rody came in, gave him a signal and sat
down. Frank then followed his companions, and after a few minutes
Rody also disappeared. This was about ten o'clock, and the dance was
proceeding with great gayety and animation.
Public-domain text, read in full here on John Shaqi.
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