The Hedge School; The Midnight Mass; The Donagh: Traits And Stories Of The Irish Peasantry, The Works of; William Carleton, Volume ThreeCarleton, William
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The Hedge School; The Midnight Mass; The Donagh: Traits And Stories Of The Irish Peasantry, The Works of; William Carleton, Volume Three
Carleton, William
Ireland -- Social life and customs -- Fiction
“'Jig Polthouge,' Barny: but on your wrist ma bouchal, or Katty will
lave us both ut o' sight in no time. Whoo! success! clear the coorse.
Well done, Barny! That's the go.”
When the youngsters had danced for some time, the fathers and mothers of
the village were called upon “to step out.” This was generally the most
amusing scene in the dance. No excuse is ever taken on such occasions,
for when they refuse, about a dozen young fellows place them, will they
will they, upright upon the floor, from whence neither themselves nor
their wives are permitted to move until they dance. No sooner do they
commence, than, they are mischievously pitted against each other by two
sham parties, one encouraging the wife, the other cheering on the good
man; whilst the fiddler, falling in with the frolic, plays in his most
furious style. The simplicity of character, and, perhaps, the lurking
vanity of those who are the butts of the mirth on this occasion,
frequently heighten the jest.
“Why, thin, Paddy, is it strivin' to outdo me you are? Faiks, avourneen,
you never seen that day, any way,” the old woman would exclaim, exerting
all her vigor.
“Didn't I? Sowl, I'll sober you before I lave the flure, for all that,”
her husband would reply.
“An' do you forget,” she would rejoin, “that the M'Carthy dhrop is in
me; ay, an' it's to the good still.”
And the old dame would accompany the boast with a fresh attempt at
agility; to which Paddy would respond by “cutting the buckle,” and
snapping his fingers, whilst fifty voices, amidst roars of laughter,
were loud in encouraging each.
“Handle your feet, Kitty, darlin'--the mettle's lavin' him!”
“Off wid the brogues, Paddy, or she'll do you. That's it; kick off the
other, an' don't spare the flure.”
“A thousand guineas on Katty! M'Carthy agin Gallagher for
ever!--whirroo!”
“Blur alive the flure's not benefittin by you, Paddy. Lay on it,
man!--That's it!--Bravo!--Whish!--Our side agin Europe!”
“Success, Paddy! Why you could dance the Dusty Miller upon a flure paved
wid drawn razures, you're so soople.”
“Katty for ever! The blood's in you, Katty; you'll win the day, a _ban
choir!_ (* decent woman). More power to you!”
“I'll hould a quart on Paddy. Heel an' toe, Paddy, you sinner!”
“Right an' left, Katty; hould an', his breath's goin'.”
“Right an' wrong, Paddy, you spalpeen. The whiskey's an you, man alive:
do it decently, an' don't let me lose the wager.”
In this manner would they incite some old man, and, perhaps, his older
wife, to prolonged exertion, and keep them bobbing and jigging about,
amidst roars of laughter, until the worthy couple could dance no longer.
Public-domain text, read in full here on John Shaqi.
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