The heir: A love storySackville-West, V. (Victoria)
General
The heir: A love story
Sackville-West, V. (Victoria)
Inheritance and succession -- Fiction; Short stories, English
For at the centre of all was always the house, that mothered the farms
and accepted the homage of the garden. The house was at the heart of all
things; the cycle of husbandry might revolve—tillage to growth, and
growth to harvest—more necessary, more permanent, perhaps, more urgent;
but like a woman gracious, humorous, and dominant, the house remained
quiet at the centre. To part the house and the lands, or to consider
them as separate, would be no less than parting the soul and the body.
The house was the soul; did contain and guard the soul as in a casket;
the lands were England, Saxon as they could be, and if the house were at
the heart of the land, then the soul of the house must indeed be at the
heart and root of England, and, once arrived at the soul of the house,
you might fairly claim to have pierced to the soul of England. Grave,
gentle, encrusted with tradition, embossed with legend, simple and
proud, ample and maternal. Not sensational. Not arresting. There was
nothing about the house or the country to startle; it was, rather, a
charm that enticed, insidious as a track through a wood, or a path lying
across fields and curving away from sight over the skyline, leading the
unwary wanderer deeper and deeper into the bosom of the country.
He knew the sharp smell of cut grass, and the wash of the dew round his
ankles. He knew the honing of a scythe, the clang of a forge and the
roaring of its bellows, the rasp of a saw cutting through wood and the
resinous scent of the sawdust. He knew the tap of a woodpecker on a
tree-trunk, and the midday murmur, most amorous, most sleepy, of the
pigeons among the beeches. He knew the contented buzz of a bee as it
closed down upon a flower, and the bitter shrill of the grasshopper
along the hedgerows. He knew the squirt of milk jetting into the pails,
and the drowsy stir in the byres. He knew the marvellous brilliance of a
petal in the sun, its fibrous transparency, like the cornelian-coloured
transparency of a woman’s fingers held over a strong light. He
associated these sights, and the infinitesimal small sounds composing
the recurrent melody, with the meals prepared for him, the salads and
cold chicken, the draughts of cider, and abundance of fresh humble
fruit, until it seemed to him that all senses were gratified severally
and harmoniously, as well out in the open as in the cool dusk within the
house.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account