The heir: A love storySackville-West, V. (Victoria)
General
The heir: A love story
Sackville-West, V. (Victoria)
Inheritance and succession -- Fiction; Short stories, English
Chase took the booklet away with him, up into the gallery. He always
liked the gallery, because it was long, low, deserted, and so glowingly
ornate; and more peaceful than any of the other rooms in the whole
peaceful house. When he went there with the booklet in his hand that
evening, he sat quite still for a time while the hush that his entrance
had disturbed settled down again upon the room and its motionless
occupant. A latticed rectangle of deep gold lay across the boards, the
last sunlight of the day. Chase turned over the leaves of the book. “The
Oak Parlour, an apartment 20 ft. by 25 ft., partially panelled in
linen-fold in a state of the finest preservation,” was that his library?
it couldn’t be, so accurate, so precise? Why, the room was living!
through the windows one saw up the garden, and saw the peacocks perched
on the low wall, one heard their cry as they flew up into the cedars for
the night; and in the evening, in that room, the fir-cones crackled on
the hearth, the dry wood kindled, and the room began to smell ever so
slightly of the clean, acrid wood-smoke that never quite left it, but
remained clinging even when the next day the windows were open and the
warm breeze fanned into the room. He had known all that about it,
although he hadn’t known it was twenty foot by twenty-five. He hadn’t
known that the panelling against which he had been accustomed to set his
bowl of coral tulips was called linen-fold.
He was an ignorant fellow; he hadn’t known; he didn’t know anything even
now; the sooner he went back to Wolverhampton the better.
He turned over another page of the booklet. “The Great Staircase and
Armorial Window, (cir. 1584) with coats-of-arms of the families of
Chase, Dacre, Medlicott, and Cullinbroke,”—the window whose gaudiness
always seemed to attract a peacock to parade in rivalry on the outer
ledge, like the first day he had come to Blackboys; but why had they
given everything such high-sounding names? the “Great Staircase,” for
instance; it was never called that, but only “the staircase,” nor was it
particularly great, only wide and polished and leisurely. He supposed
Nutley was responsible, or was it Farebrother? Farebrother who was so
kindly, and might have wanted to salve Chase’s feelings by appealing to
his vanity through the splendour of his property?
What a fool he was; of course, neither Nutley nor Farebrother gave a
thought to his feelings, but only to the expediency of selling the
house.
Public-domain text, read in full here on John Shaqi.
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