The street door opened straight into the shop. The shop went back a long way, and was very dark and crowded with objects; everything seemed to have something else super-imposed upon it, either set down or hanging; thus against the walls dangled bunches of masks, like bunches of bananas, weapons of all kinds, shields and breastplates, swags of tinsel jewellery, wigs; upon the tops of the cupboards stood ewers, goblets, candelabra, all in sham gold plate; and the counters themselves were strewn with a miscellany of smaller theatrical necessities. It was only little by little that the glance, growing accustomed to the obscurity of the shop, began to disentangle object from object in this assortment. Everything was very dusty, with the exception of the shields and stray pieces of armour, which were brightly furbished and detached themselves like mirrors in their places on the walls, giving a distorted reflection in miniature of the recesses of the shop. There were stuffed animals, particularly dusty, with glass eyes and red open mouths showing two rows of teeth. There were grotesque cardboard heads, four times life-size, for giants. There was the figure of a knight in a complete suit of armour, with a faded blue cloak embroidered with the lilies of France hanging from his shoulders, and a closed helmet from which sprang a tuft of plumes that had once been white, but that were now grey with dust and age. This knight stood on the lowest step of the staircase that started in the middle of the shop and led to the upper floors of the house. A door across the top of the flight shut off the secrets of the upper storey from the observation of customers in the shop on the ground floor.