The Heir Presumptive and the Heir ApparentOliphant, Mrs. (Margaret)
General
The Heir Presumptive and the Heir Apparent
Oliphant, Mrs. (Margaret)
Aristocracy (Social class) -- England -- Fiction; Families -- Fiction; Inheritance and succession -- Fiction
Letitia found herself at the apex of the happiness she
most desired, when she ascertained finally that she knew
everybody--scarcely one was left out, and those who were left out were
the insignificant people for whose opinion nobody cared.
She made a capital wife. She knew a great deal about housekeeping and
how to make a little go a long way, and as she was very quick and kept
her eyes wide open wherever she went, she very soon picked up those
minutiæ of comfort and domestic luxury which were not understood at
Grocombe. Grocombe, in fact, passed away altogether like a dissolving
view. Sometimes when she sat in the boudoir which everybody said she had
made so delightful, with its soft chairs and mossy carpets, and
bewildering drapery, there would come before Letitia’s eyes a vision of
the shabby parlor at home with its horsehair sofa and thin
Kidderminster. The curtains were maroon rep in that family abode. The
cover on the table was red and blue worsted: there was not a cosy chair
in the place. It is true that there was a drawing-room in Grocombe, but
everything in it was falling to pieces and it was never used. What a
house to have been brought up in! And what a difference between Tisch
Ravelstone, the hard-riding squire’s neglected daughter, who had never
been educated, or dressed, or looked after by any one, whom the parson’s
wife had been sorry for, who had been invited to the vicarage out of
kindness, who had once thought the vicar’s son when he returned from
Oxford the most splendid of young persons, and the Honorable Mrs. John
Parke in her own beautiful boudoir, with her fine dresses and respectful
servants and luxurious prosperity! What a difference! Letitia never
permitted it to be seen or even divined that such luxury was new to her.
But sometimes there would gleam before her a fading dissolving vision of
that other life, and she would ask herself was it possible? Could it
ever have been? To go back to such a state of affairs now would be the
most horrible misfortune. She said to herself that she would rather die.
It is true that the moors were glorious round about that Yorkshire
house, but Letitia had seen too much of them to care for the moors: and
the stables were admirably arranged, the pride of the district, but
Letitia had seen a great deal too much of them and hated stables. And
when she thought of the miry ways through which she used to tramp in her
Wellington boots and short skirts, and the wintry blighted fir wood, all
blown one way as if the trees were shabby pilgrims going to the west,
which surrounded the house and the garden in which a few straggling rose
bushes and old-fashioned flowers formed a respectful border to the
cabbages, Letitia drew a long breath. Oh-h! she said to herself. What a
difference! what a difference! But this breath of wondering transport
was only breathed when she sat alone in her boudoir and John was well
out of the way, and could not look up with an “Eh? did you speak?”
Public-domain text, read in full here on John Shaqi.
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