"Nothing at all, Tommie. I only meant to save you a climb. The basket isn't heavy now, you know." "S'posin' it ain't; ain't I hired to run this end o' the show? You jes' tell me where you want it put, an' that's right where I'm goin' to put it, an' not nowheres else." She smiled and let him lead the way up the dusty stair. At a certain door near the end of the long upper corridor she signed to him to give her the basket. "Go to the head of the stairs and wait," she whispered. "I may want you." When he was out of hearing she tapped on the door and went in. It was the interior of all others that made Constance want to cry. There was a sufficiency of garish furniture and tawdry knickknacks scattered about to show that it was not the dwelling-place of the desperately poor; but these were only the accessories to the picture of desolation and utter neglect having for its central figure the woman stretched out upon the bed. She was asleep, and her face was turned toward the light which struggled feebly through the unwashed window. Beauty there had been, and might be again, but not even the flush of health would efface the marks of Margaret Gannon's latest plunge into the chilling depths of human indifference. Connie tiptoed to the bedside and looked, and her heart swelled within her. It had fallen out in this wise. On the Monday night Mademoiselle Angeline--known to her intimates as Mag Gannon--saw fuzzy little circles expand and contract around the gas-jets in the Bijou Theatre while she was walking through her part in the farce. Tuesday night the fuzzy circles became blurs; and the stage manager swore audibly when she faltered and missed the step in her specialty. On the Wednesday Mademoiselle Angeline disappeared from the Bijou altogether; and for three days she had lain helpless and suffering, seeing no human face until Constance came and ministered to her. And the pity of it was that while the fever wrought its torturous will upon her, delirium would not come to help her to forget that she was forgotten. Constance had pieced out the pitiful story by fragments while she was dragging the woman back from the brink of the pit; and when all was said, she began to understand that a sick soul demands other remedies than drugs and dainties. Just what they were, or how they were to be applied, was another matter; but Constance grappled with the problem as ardently as if no one had ever before attacked it. In her later visits she always brought the conversation around to Margaret's future; and on the afternoon of the basket-procession, after she had made her patient eat and drink, she essayed once again to enlist the woman's will in her own behalf. "It's no use of me trying, Miss Constance; I've got to go back when I'm fit. There ain't nothing else for the likes of me to do." "How can you tell till you try? O Margaret, I wish you would try!"