"And when you left home they mourned for you, not as one dead, but as
one living and still beloved; and as long as they could keep track of
you they begged you to come back to them. Margaret, won't you go?"
Margaret shook her head in passionate negation. "I can't--_I can't!_
that's the one thing I can't do! Didn't I bring them shame enough and
misery enough in the one day? and will I be going back to stir it all
up again? having the people say, 'There's Pat Gannon's girl come back;
she that went to the bad and broke her mother's heart.' Indeed, I'll
not do that, Miss Constance, though the saints and the holy angels'll
tell you I'd do anything else you'd ask."
This was Connie's happy thought; to induce Margaret to go back to her
parents. When it proved to be but another rope of sand, she allowed it
one sigh and changed front so cheerfully that Margaret never knew the
cost of the effort.
"Then we must try something else," she insisted. "I'll never let you go
back to the theatre--that's settled. You told me once you could trim
hats. Have you ever done any other kind of sewing?"
Margaret knelt before her trunk and threw out an armful of her stage
finery. "I made them," she said.
Constance examined the work critically. It was good, and she took
courage. "That is our way out of the trouble, Margaret. Why didn't
we think of it before? When you are well enough, I'll get you a
sewing-machine and find you all the work you can do."
Margaret went to the window and stood there so long that Constance
began to tremble lest the battle were going evilward at the last
moment. The fear was groundless, as she found out when the girl came
back to kneel and cry silently with her face in Connie's lap.
"It isn't so much the love of you," she sobbed; "it's the knowing that
somebody cares whether the likes of me goes straight to the devil or
not. And never so much as a word about behaving myself, or confessing
to the priest, or anything. Miss Constance,"--this with uplifted
face, grown suddenly beautiful and glorified in the outshining of
penitence,--"the devil may fly away with me,--he did that same one
day,--but if he does, I'll not live to leave him have the good of it. I
promise you that."
"I can trust you," said Constance; and she took her leave presently,
wondering how the many-sided world could so unify itself in its
merciless condemnation of the Magdalenes.
When she had closed Margaret's door behind her and was halfway to
the stair, she heard sounds as of a scuffle coming from a corridor
intersecting the main hallway at the landing. Her first impulse was to
retreat to Margaret Gannon's room; but when she recognized Tommie's
voice uplifted in alternate plea and imprecation, she went forward
quickly. At the turn she met a gaunt, unshaven man leading Tommie by
the ear, and her indignation slipped the leash without a thought of
consequences.
Public-domain text, read in full here on John Shaqi.
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