The Heritage of Dedlow Marsh and Other TalesHarte, Bret
General
The Heritage of Dedlow Marsh and Other Tales
Harte, Bret
California -- Social life and customs -- Fiction; Western stories
"Major Bromley arranged that Lieutenant Kirby takes your sash this
morning, as you're not well, sir; and you're to report for special to
the colonel," he added, pointing discreetly to the envelope.
Touched by this consideration of his superior, Major Bromley, who had
been one of the veterans of last night's engagement, Calvert mastered
the contents of the envelope without the customary anathema of
specials, said, "Thank you, Parks," and passed out on the veranda.
The glare of the quiet sunlit quadrangle, clean as a well-swept floor,
the whitewashed walls and galleries of the barrack buildings beyond,
the white and green palisade of officers' cottages on either side, and
the glitter of a sentry's bayonet, were for a moment intolerable to
him. Yet, by a kind of subtle irony, never before had the genius and
spirit of the vocation he had chosen seemed to be as incarnate as in
the scene before him. Seclusion, self-restraint, cleanliness,
regularity, sobriety, the atmosphere of a wholesome life, the austere
reserve of a monastery without its mysterious or pensive meditation,
were all there. To escape which, he had of his own free will
successively accepted a fool's distraction, the inevitable result of
which was, the viewing of them the next morning with tremulous nerves
and aching eyeballs.
An hour later, Lieutenant George Calvert had received his final
instructions from Colonel Preston to take charge of a small detachment
to recover and bring back certain deserters, but notably one, Dennis
M'Caffrey of Company H, charged additionally with mutinous solicitation
and example. As Calvert stood before his superior, that distinguished
officer, whose oratorical powers had been considerably stimulated
through a long course of "returning thanks for the Army," slightly
expanded his chest and said paternally:
Public-domain text, read in full here on John Shaqi.
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