The Heritage of Dress: Being Notes on the History and Evolution of ClothesWebb, Wilfred Mark
History
The Heritage of Dress: Being Notes on the History and Evolution of Clothes
Webb, Wilfred Mark
Clothing and dress; Clothing and dress -- History
Such features as turned-back cuffs occur in women's clothes, and, as
we have seen, the arrangement of buttons may be copied from masculine
attire. In other cases buttons seem to appear which have, it would seem,
no hereditary right to their position; but it may be well, before
dismissing them, to see whether they have not a pedigree. We might cite
the case of the buttons that are sewn on to the frocks a little below
the knee. They are often at the head of a plait, and it would be worth
while to look into their history.
V
COLLARS AND BANDS
NICKS IN COAT LAPELS--THE WHY AND WHEREFORE OF THE WHITE SHIRT FRONT
Let us carry on our work of dissecting the clothes of a modern man, and
as we once more survey our subject, we may glance a little higher than
heretofore, until our eyes rest upon the collar of his coat. This
structure passes into the lapels, and at the point of junction there is
a curious nick which is repeated in the waistcoat if this be similarly
provided with lapels. (See Figure 32.)
[Illustration: FIG. 32.--The nicks in the coat and waistcoat.]
[Illustration: FIG. 33.--A stage when the nick was useful (Lucien
Bonaparte, after Paul Lacroix).]
There is always a temptation to invent some interesting theory in order
to explain the origin of vestiges, and a penny paper, which hardly
boasts of scientific accuracy, not long ago informed its readers that
the slit in the coat lapel is the outcome of a "unique and beautiful
custom among the orthodox Jews," for in former days, when death visited
a Jew's household, he cut the lapel of his coat. It was undoubtedly a
custom of the Jews to rend their garments, but it does not, on the
face of it, seem likely that the practice would have influenced modern
costume. It would appear, however, that the slit in the lapel has a
much more prosaic origin, and owes its existence rather to a practical
requirement than to a sentimental observance. When the collar of a coat
is made to stand up, it is absolutely necessary that a piece should be
cut out of the cloth, or the lapel will not lie down. In the exaggerated
garment of which we give an illustration (see Figure 33) this need is
most manifest; but a moment's thought will show that the provision
must be made, even if the collar be small. A trifling experiment will
indicate that at the present day the cut is not usually made deep enough
to allow of the collar being turned up without disturbing the lapels.
[Illustration: FIG. 34.--The "toothpick" on a dress coat.]
Another remarkable variation is to be found in the collars of some dress
suits. A little point is left on the collar known to tailors as the
"toothpick," which runs across the nick into the lapel (see Figure 34).
This structure is probably a survival of some particular kind of collar.
Public-domain text, read in full here on John Shaqi.
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