The Heritage of Dress: Being Notes on the History and Evolution of ClothesWebb, Wilfred Mark
History
The Heritage of Dress: Being Notes on the History and Evolution of Clothes
Webb, Wilfred Mark
Clothing and dress; Clothing and dress -- History
It is due to these ideas that we owe the beautifully modelled figures
of glazed pottery found in the Egyptian tombs. Many of them depict the
various gods and goddesses acknowledged in Egypt, and they are usually
pierced for attachment to the person. These were also carried on the
person during life, and children especially were accustomed to wear
them.
Old religious beliefs and superstitions that have not yet died out, have
elsewhere given rise to the wearing of charms, and it is interesting to
note that flint arrow-heads, under the name of "elves' arrows," were
made into pendants by races who had reached the metal stage of culture.
Precious stones, upon which a word may be said here, no doubt at first
were prized for their beauty alone, and then imagination gradually
endowed many of them with fictitious properties and virtues, though
doubtless the supposed attributes of some and the value and beauty of
others have kept many precious stones in favour until the present day.
Fashion is now particularly fickle as regards them, and craftsmen who
deal with gems, feel her decrees[12] more keenly perhaps than any
one else. Some half-dozen kinds of stones--such as diamonds, rubies,
emeralds, sapphires, opals, and turquoises--never go completely out of
fashion, but even among these, one or other becomes paramount from time
to time.
The topaz and chrysolite were reported to lose their brilliancy when
placed in liquid that contains poison. To the amethyst was attributed
the power of warding off the effects of drunkenness. The diamond, it
was believed, gave to the wearers magnanimity, virtue, and courage. The
ancients supposed that the opal shared the charm of every stone of
which it reflected the colour, but when it was stolen, the thief became
invisible, and was allowed to escape scot free. Mr. Claremont[13] has
made an interesting suggestion as to the reason why the opal has been
considered unlucky. The notion, he says, is not nearly so ancient as
many of the superstitions relating to other stones, and probably does
not date further back than the Middle Ages. The old name "ophal" was
used as late as the time of Queen Elizabeth, and came from the Greek for
"eye"-stone, and as eyes are unlucky even in peacocks' feathers, perhaps
the explanation of the superstition lies in the name of the stone.
Such walking-sticks as those garnished with "sylver" and "golde," which
are described as being at the Royal Palace at Greenwich in the reign of
Henry VIII, may well be considered as ornaments. The same may be said of
the be-ribboned canes of the exquisites of Charles II's and later times.
We mention them because, within the last two or three years, there
has been a talk of seeing "the nice conduct of a clouded cane" more
generally considered, and some men have appeared at the theatre with
long, gold-knobbed and tasselled canes.
Public-domain text, read in full here on John Shaqi.
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