The Heritage of Dress: Being Notes on the History and Evolution of ClothesWebb, Wilfred Mark
History
The Heritage of Dress: Being Notes on the History and Evolution of Clothes
Webb, Wilfred Mark
Clothing and dress; Clothing and dress -- History
It will be remembered that not long ago objection was taken by a
minister to women appearing in his church without any hats. It would
appear that the whole custom is a relic of that still observed in
eastern countries, where women cover not only their heads, but also
their faces, though, as pointed out in an earlier chapter (see page
13), in some places it is still considered more immodest to uncover the
back of the head than to expose any other part of the person; and in
Egypt, for instance, an Arab woman disturbed when drawing water will
throw her single garment over her head in order to hide it.
One is rather afraid that those ladies who follow the lines laid down
by St. Clement as to covering their heads in church sometimes obey his
injunctions in the letter rather than in the spirit. For scoffers have
been found who say that one of the reasons why fashionable ladies go
to church is to show their own new hats and gowns and to look at those
belonging to their neighbours. The question of covering the head was
touched upon when dealing with servants' dress in connection with the
cap of the housemaid. (See page 149.)
The greatest contrast between Sunday and weekday clothes is to be looked
for in the country among agricultural labourers, as the cessation of
labour gives an opportunity for discarding the rough and heavy garments
of the field in favour of something lighter and of better quality, and
this quite apart from the religious idea which no doubt first led to
the practice. Probably the custom of putting on Sunday clothes in the
country will survive until the rural exodus, which has unfortunately
begun, has led to the complete depopulation of our villages.
XXII
ACADEMICAL DRESS
GOWNS AND HANGING SLEEVES--THE FORERUNNER OF THE HOOD--THE ORIGIN
OF THE DOCTOR'S HAT--THE EVOLUTION OF THE MORTAR-BOARD
Many complaints have been very justly made against the solemnity, if
not the ugliness, of men's modern evening dress. On important occasions
it may be more or less enlivened by the ribbons and stars of various
orders, but we really get a return to something of mediæval brightness
at those functions connected with the universities at which academical
dress is worn. Then the black coats and trousers are practically hidden,
in many cases by scarlet, by purple, and other coloured gowns.
Occasionally there are combinations of colours which are trying to the
eyes of many, but on the whole the effect is one that is pleasing and
worthy of repetition. Academical dress is in itself a survival, and the
gay colours are almost enough to tell us this. Records exist which show
that in the fifteenth century they were already adopted by the graduates
of our universities.
Public-domain text, read in full here on John Shaqi.
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