The Heritage of Dress: Being Notes on the History and Evolution of ClothesWebb, Wilfred Mark
History
The Heritage of Dress: Being Notes on the History and Evolution of Clothes
Webb, Wilfred Mark
Clothing and dress; Clothing and dress -- History
The evidence which has been brought forward as to the origin of academic
costume points to its having been derived from that of the clergy; but
there are interesting connections with civil dress, as we shall see. One
of the special features of many academic gowns is their long hanging
sleeves, and we shall find that so long ago as the time of William Rufus
sleeves had grown so long that it had become convenient to make a hole
through them through which the hand and forearm could be protruded. (See
Figure 134.)
[Illustration: FIG. 134.--Hanging sleeve of the fifteenth century.]
These sleeves took upon themselves all sorts of forms, and they were
made so long and narrow that they resembled very much the elongation
of the hood which was called a liripipe. Occasionally it was found
necessary to knot them so that they should not trail upon the ground.
Very few parts of dress have varied so much as sleeves, and it is
said that any costume can be dated by an examination of the sleeves.
Nowadays, as in the past, the length of the sleeve and of the gown
itself indicates the status of the member of the university. At Oxford,
for instance, the undergraduate's gown is so short that it is hardly
worthy of the name, and it is without sleeves that act as such. The
scholar's gown is more voluminous, and the gowns of the bachelors and
masters of arts are more important again, while the sleeves belonging to
the latter reach nearly to the ground.
When we come, however, to the robes of the Chancellor, which are made
of stiffer material, we find that the ancient character of the hanging
sleeves is much more marked (see Figure 135), and there is a train so
long that small pages are told off to support it. In the old days, the
material of which the gowns were made, and their trimmings indicated the
rank of the wearers; and, as Mr. Druitt[30] points out, the bachelor,
for instance, was unable to use fur of so costly a kind as that worn
by his academical superiors. Stuff or silk gowns still have their
significance, and in the hoods which are the survival of a part of
dress which was once useful and worn by graduates and undergraduates
alike, we find great diversity in the case of the various degrees of
different universities.
[Illustration: FIG. 135.--The hanging sleeve of a Chancellor of Oxford
University.]
As a head covering, the cap took the place of a hood, and the latter
fell down behind like that often seen on a modern ulster. We have
already noticed (p. 157) how this peak of the hood was exaggerated, and
in old times the liripipe was longer in the case of undergraduates. The
modern hood of the universities has grown in size, but it has lost its
long streamer. Examples are, of course, most commonly seen in churches,
as it is a custom of the clergy to wear their academical hoods over
their white surplices. The colour of the hood and of its lining
indicates, to the initiated, the university to which the wearer belongs,
and the degree which he has taken.
Public-domain text, read in full here on John Shaqi.
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