The Heritage of the Kurts, Volume 1 (of 2) — John Shaqi
The Heritage of the Kurts, Volume 1 (of 2)Bjørnson, Bjørnstjerne
General
The Heritage of the Kurts, Volume 1 (of 2)
Bjørnson, Bjørnstjerne
Norwegian fiction -- Translations into English
Produced by Charles Bowen, from page scans provided by Google Books
Transcriber's Notes:
1. Page scan source:
http://books.google.com/books?id=fuUsAAAAMAAJ
2. The diphthong oe is represented by [oe].
THE NOVELS OF
BJÖRNSTJERNE BJÖRNSON
_Edited by EDMUND GOSSE_
VOLUME XI
_THE NOVELS OF_
_BJÖRNSTJERNE BJÖRNSON_
_Edited by EDMUND GOSSE_
_Fcap. 8vo, cloth_
_Synnöve Solbakken_
_Arne_
_A Happy Boy_
_A Fisher Lass_
_The Bridal March, & One Day_
_Magnhild, & Dust_
_Captain Mansana, & Mother's Hands_
_Absalom's Hair, & A Painful Memory_
_In God's Way_ (2 _vols._)
_Heritage of the Kurts_ (2 _vols._)
_NEW YORK_
_THE MACMILLAN COMPANY_
THE HERITAGE OF
THE KURTS
BY
BJÖRNSTJERNE BJÖRNSON
_Translated from the Norwegian by_
_Cecil Fairfax_
VOLUME I
NEW YORK
THE MACMILLAN COMPANY
1908
_Printed in England_
_All rights reserved_
BIOGRAPHICAL NOTE
Upon his taking up his residence in Paris, in 1882, Björnson resumed an
interest in prose fiction, which he had for so many years abandoned in
favour of the drama. There can be no question that he was influenced in
this by the successes of Alexander Kielland and Kristian Elster, who
had begun to deal with the problems of Norwegian life in the form of
short novels, which attracted immense public curiosity. After writing
_Dust_ (1882), a very brief episode, Björnson started the composition
of his earliest long novel, which he finished and published in 1884, as
_Det flager i Byen og paa Havnen_ ("Flags are Flying in Town and
Harbour"), a title for which we have ventured to substitute, as more
directly descriptive, _The Heritage of the Kurts_. It is to be observed
that, with the exception of Jonas Lie's _Livsslaven_ (which was not yet
published when Björnson's book was begun), _The Heritage of the Kurts_
was the earliest novel, treating Scandinavian society on a large scale,
which any Norwegian writer had essayed to produce. This may explain a
certain cumbrousness in the unwinding of the plot, which has been noted
as a fault in this very fine and elaborate romance.
Public-domain text, read in full here on John Shaqi.
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