“Hid out,” Wagalexa Conka had said. Well, she would hide out, then--she,
the daughter of a chief of the Sioux; she, whom Wagalexa Conka had been
glad to have in his picture when he was poor and had no money to pay
white leading women. But now he had much money; now he could come in a
big automobile, with a slim, white leading woman and a camera man and
scenic artist and much money in his pocket; and she--she was just
a squaw who had hid out, and who would show up after a while and be
grateful if he took her by the hand and said, “How!”
With so many persons moving eagerly here and there, none but an Indian
could have slipped away from that house and from the ranch without being
seen. But though the place was bald and open to the four winds save for
a few detached outbuildings, Annie-Many-Ponies went away upon the mesa
and no one saw her go.
She did not dare go to the corral for her horse. The corral was in plain
sight of the house, and the eyes of Wagalexa Conka were keen as the
eye of the Sioux, his foster brothers. He would see her there. He would
call: “Annie, come here!” and she would go, and would stand submissive
before him, and would be glad that he noticed her; for she was born of
the tribe where women obey their masters, and the heritage of centuries
may not be lightly lain aside like an outgrown garment. She felt that
this was so; that although her heart might burn with resentment because
he had forgotten and must be reminded by a strange white woman that the
“squaw” was not present, still, if he called her she must go, because
Wagalexa Conka was master there and the master must be obeyed.
Down the dry wash where Applehead had hunted for baling wire she went
swiftly, with the straight-backed, free stride of the plainswoman who
knows not the muscle-bondage of boned girdle. In moccasins she walked;
for a certain pride of race, a certain sense of the picture-value of
beaded buckskin and bright cloth, held her fast to the gala dress of her
people, modified and touched here and there with the gay ornaments
of civilization. So much had her work in the silent drama taught her.
Bareheaded, her hair in two glossy braids each tied with a big red bow,
she strode on and on in the clear sunlight of spring.
Not until she was more than two miles from the ranch did she show
herself upon one of the numberless small ridges which, blended together
in the distance, give that deceptive look of flatness to the mesa. Even
two miles away, in that clear air that dwarfs distance so amazingly,
Wagalexa Conka might recognize her if he looked at her with sufficient
attention. But Wagalexa Conka, she told herself with a flash of her
black eyes, would not look. Wagalexa Conka was too busy looking at that
slim woman he had brought with him.
Public-domain text, read in full here on John Shaqi.
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