Produced by Dagny; John Bickers; David Widger
THE HERMIT OF FAR END
By Margaret Pedler
First Published 1920.
PROLOGUE
It was very quiet within the little room perched high up under the
roof of Wallater's Buildings. Even the glowing logs in the grate burned
tranquilly, without any of those brisk cracklings and sputterings which
make such cheerful company of a fire, while the distant roar of London's
traffic came murmuringly, dulled to a gentle monotone by the honeycomb
of narrow side streets that intervened between the gaunt, red-brick
Buildings and the bustling highways of the city.
It seemed almost as though the little room were waiting for
something--some one, just as the woman seated in the low chair at the
hearthside was waiting.
She sat very still, looking towards the door, her folded hands lying
quietly on her knees in an attitude of patient expectancy. It was as if,
although she found the waiting long and wearisome, she were yet quite
sure she would not have to wait in vain.
Once she bent forward and touched the little finger of her left hand,
which bore, at its base, a slight circular depression such as comes from
the constant wearing of a ring. She rubbed it softly with the forefinger
of the other hand.
“He will come,” she muttered. “He promised he would come if ever I sent
the little pearl ring.”
Then she leaned back once more, resuming her former attitude of patient
waiting, and the insistent silence, momentarily broken by her movement,
settled down again upon the room.
Presently the long rays of the westering sun crept round the edge of
some projecting eaves and, slanting in suddenly through the window,
rested upon the quiet figure in the chair.
Even in their clear, revealing light it would have been difficult
to decide the woman's age, so worn and lined was the mask-like face
outlined against the shabby cushion. She looked forty, yet there was
something still girlish in the pose of her black-clad figure which
seemed to suggest a shorter tale of years. Raven dark hair, lustreless
and dull, framed a pale, emaciated face from which ill-health had
stripped almost all that had once been beautiful. Only the immense dark
eyes, feverishly bright beneath the sunken temples, and the still lovely
line from jaw to pointed chin, remained unmarred, their beauty mocked
by the pinched nostrils and drawn mouth, and by the scraggy, almost
fleshless throat.
It might have been the face of a dead woman, so still, so waxen was
it, were it not for the eager brilliance of the eyes. In them, fixed
watchfully upon the closed door, was concentrated the whole vitality of
the failing body.
Beyond that door, flight upon flight of some steps dropped seemingly
endlessly one below the other, leading at last to a cement-floored
vestibule, cheerless and uninviting, which opened on to the street.
Public-domain text, read in full here on John Shaqi.
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