Their mutual attitude was something more than the accepted relationship
implied. They were friends--these two--intimate friends, comrades on an
equal footing, respecting each other's reserves and staunchly loyal to
one another. Perhaps this was accounted for in a measure by the very
fact that they were united by no actual bond of blood. That Sara was
Patrick's niece by adoption was all the explanation of her presence at
Barrow Court that he had ever vouchsafed to the world in general, and
it practically amounted to the sum total of Sara's own knowledge of the
matter.
Hers had been a life of few relationships. She had no recollection of
any one who had ever stood towards her in the position of a father, and
though she realized that the one-time existence of such a personage must
be assumed, she had never felt much curiosity concerning him.
The horizon of her earliest childhood had held but one figure, that of
an adored mother, and “home” had been represented by a couple of
meager rooms at the top of a big warren of a place known as Wallater's
Buildings, tenanted principally by families of the artisan class.
Thus debarred by circumstances from the companionship of other children,
Sara's whole affections had centred round her mother, and she had
never forgotten the sheer, desolating anguish of that moment when the
dreadful, unresponsive silence of the sheeted figure, lying in the
shabby little bedroom they had shared together, brought home to her the
significance of death.
She had not cried, as most children of eight would have done, but she
had suffered in a kind of frozen silence, incapable of any outward
expression of grief.
“Unfeelin', I call it!” declared the woman who lived on the same floor
as the Tennants, and who had attended at the doctor's behest, to
a friend and neighbour who was occupied in boiling a kettle over a
gas-ring. “Must be a cold-'earted child as can see 'er own mother lyin'
dead without so much as a tear.” She sniffed. “'Aven't you got that cup
o' tea ready yet? I can allus drink a cup o' tea after a layin'-out.”
Sara had watched the two women drinking their tea with brooding eyes,
her small breast heaving with the intensity of her resentment. Without
being in any way able to define her emotions, she felt that there was
something horrible in their frank enjoyment of the steaming liquid,
gulped down to the cheerful accompaniment of a running stream of
intimate gossip, while all the time that quiet figure lay on the narrow
bed--motionless, silent, wrapped in the strange and immense aloofness of
the dead.
Presently one of the women poured out a third cup of tea and pushed
it towards the child, slopping in the thin, bluish-looking milk with a
generous hand.
“'Ave a cup, child. It's as good a drop o' tea as ever I tasted.”
For a moment Sara stared at her speechlessly; then, with a sudden
passionate gesture, she swept the cup on to the floor.
Public-domain text, read in full here on John Shaqi.
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