With an effort, Sara forced herself to enter it. Crossing to the window,
she pulled a chair up to the Chippendale bureau and unlocked it.
Then she drew out the sliding desk supports and laid back the flap of
polished mahogany that served as a writing-table. She was conscious of
a fleeting sense of admiration for the fine-grained wood and for the
smooth “feel” of the old brass handles, worn by long usage, then her
whole attention was riveted by the three things which were all the
contents of the desk--a packet of letters, stained and yellowing with
age and tied together with a broad, black ribbon, a jeweller's velvet
case stamped with faded gilt lettering, and an envelope addressed to
herself in Patrick's handwriting.
Very gently, with that tender reverence we accord to the sad little
possessions of our dead, Sara gathered them up and carried them to her
own sitting-room. She felt she could not stay to examine them in that
strangely empty, lifeless room that had been Patrick's; the terrible,
chill silence of it seemed to beat against the very heart of her.
Laying aside the jeweller's case and the package of letters, she opened
the envelope which bore her name and drew out a folded sheet of paper,
covered with Patrick's small, characteristic writing. Impulsively she
brushed it with her lips, then, leaning back in her chair, began to
read, her expression growing curiously intent as she absorbed the
contents of the letter. Once she smiled, and more than once a sudden
rush of unbidden tears blurred the closely written lines in front of
her.
“When you receive this, little pal Sara”--ran the letter--“I shall have
done with this world. Except that it means leaving you, my dear, I shall
be glad to go, for I'm a very tired man. So, when it comes, you must try
not to grudge me my 'long leave.' But there are several things you ought
to know, and which I want you to know, yet I have never been able to
bring myself to speak of them to you. To tell you about them meant
digging into the past--and very often there is a hot coal lingering
in the heart of a dead fire that is apt to burn the fingers of whoever
rakes out the ashes. Frankly, then, I funked it. But now the time has
come when I can't put it off any longer.
“Little old pal, have you ever wondered why I loved you so much--why you
stood so close to my heart? I used to tease you and say it was because
we were no relation to each other, didn't I? If you had been really my
niece, proper respect (on your part, of course, for your aged uncle!)
and the barrier of a generation would have set us the usual miles apart.
But there was never anything of that with us, was there? I bullied you,
I know, when you needed it, but we were always comrades. And to me, you
were something more than a comrade, something almost sacred and always
adorable--the child of the woman I loved.
Public-domain text, read in full here on John Shaqi.
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