The Hero of Esthonia and Other Studies in the Romantic Literature of That CountryKirby, W. F. (William Forsell)
History
The Hero of Esthonia and Other Studies in the Romantic Literature of That Country
Kirby, W. F. (William Forsell)
Estonian literature; Estonian literature -- History and criticism
_Canto XVI._
—The Kalevide projects a voyage to the end of the world.
Building of the ship Lennuk. Voyage to Finland and Lapland.
Meeting with Varrak, the Laplander. Voyage to the Island of
Fire. The Giant's Daughter. The Northern Lights. The Dog-men.
Homeward voyage.
_Canto XVII._
—The fortified cities. Great battle with invaders. Land journey
of the Kalevide and his friends. Encounter with Sarvik
disguised as a dwarf. The daughters of the Meadow-Queen.
_Canto XVIII._
—The gates of Põrgu.
[6] The Kalevide enters the cavern, notwithstanding every
obstacle fights his way across an iron bridge, and enters
Sarvik's palace.
_Canto XIX._
—The Kalevide overcomes Sarvik in a wrestling match, and loads
him with chains. He returns to the upper world, and finds the
Alevide waiting for him
[Pg 6]
at the entrance to the cavern. Return of the Kalevide to
Lindanisa.
[7] Great feast and songs. News of a formidable invasion.
Departure of Varrak for Lapland. Arrival of fugitives.
_Canto XX._
—The Kalevide buries his treasure. Terrible battles, in which
his cousin the Sulevide is slain. Drowning of the Alevide. The
Kalevide abdicates in favour of his surviving cousin, the
Olevide, and retires to live in seclusion on the bank of a
river. Being annoyed by occasional visitors, he wanders away
towards Lake Peipus, and steps into the brook Käpä, when his
sword cuts off his legs. His soul takes flight to the halls of
Taara,
[8] but is bidden by the gods to reanimate his body. He is
mounted on a horse, and stationed at the gates of Põrgu, to
keep watch and ward on Sarvik and his hosts.
[Pg 7]
THE KALEVIPOEG
OR,
_THE ADVENTURES OF THE SON OF KALEV, THE HERO OF ESTHONIA._
The poem commences with an invocation to Vanemuine.
[9] This is followed by a long lyrical exordium.
CANTO I
THE MARRIAGES OF SALME AND LINDA
In ancient days, the race of Taara dwelt here and there in the
land, and took to themselves wives of the daughters of men.
[10] In the far North,
[Pg 8]
Public-domain text, read in full here on John Shaqi.
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