The Hero of Esthonia and Other Studies in the Romantic Literature of That CountryKirby, W. F. (William Forsell)
History
The Hero of Esthonia and Other Studies in the Romantic Literature of That Country
Kirby, W. F. (William Forsell)
Estonian literature; Estonian literature -- History and criticism
Scarcely had the old woman finished her song, when there arose a loud
shout of laughter among the people, which sounded far over the plain
and was echoed back from the forest. The people sang the[Pg 84] old
woman's last words in derision, and their laughter was unceasing till
the eldest of the company stopped it with stern interference. All was
still around. Then an old man on a decorated seat began a magnificent
song, which filled all around with holy joy. But suddenly they heard a
voice behind him, which took up the witch's song afresh. Laughter again
arose among the ranks of people. Again the elder sternly commanded
silence, and those who were gathered round the old man and had heard
his song likewise commanded silence. Then the people were quiet once
more.
The old man on the throne of song now raised his voice, and the people
listened to him with delight. It was a genuine song, for it met with a
response in all hearts, and moved their nobler being to heavenly
thoughts. But again a loud voice rose in the throng, which took up the
ugly chant of the old woman, and again loud laughter echoed through the
assembly. Then the old man on the throne grew angry, gazed wrathfully
down on the foolish throng, and immediately vanished from their eyes.
Only a mighty rushing and clanging was heard, so that all trembled, and
their blood froze in their veins. Who was the hoary singer?[Pg 85] Was
it not Vanemuine himself? Where had he vanished to? They talked and
asked each other. But the singer remained invisible, and no one saw him
again.
This was Vanemuine's last farewell to the Esthonian people. Only a few
minstrels now enjoy the happiness of listening to his singing and
playing in the far distance, and such minstrels only are able to move
their brothers with the divine voice of song.
In the _Kalevala_, Väinämöinen has neither wife nor child, but the
Esthonians ascribe to him a foster-daughter, of whom the following
story is related.
JUTTA.
(Jannsen.)[35]
Once upon a time the God of Song wandered musing by the banks of Lake
Endla, and his harp[Pg 86] clanged in unison with the thoughts which
moved his heart. There he saw a little child lying near him in the
grass, which stretched out its hands to him. He looked round everywhere
for the child's mother, but she was nowhere to be seen. So he lifted up
the beautiful little girl, and went to Taara, and begged him to give
him the child as his own. Ukko consented, and as he gazed graciously at
his daughter, her eyes shone like stars, and her hair glittered like
bright gold.
Public-domain text, read in full here on John Shaqi.
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