The hero of the Filipinos : $b The story of José Rizal, poet, patriot and martyrRussell, Charles Edward
History
The hero of the Filipinos : $b The story of José Rizal, poet, patriot and martyr
Russell, Charles Edward
Rizal, José, 1861-1896
The class-room was a spacious rectangular hall with large grated
windows that admitted an abundance of light and air. Along the two
sides extended three wide tiers of stone covered with wood, filled
with students arranged in alphabetical order. At the end opposite
the entrance, under a print of St. Thomas Aquinas, rose the
professor’s chair on a level platform with a little stairway on
each side. With the exception of a beautiful blackboard in a narra
[wood] frame, scarcely ever used, since there was still written on
it the viva that had appeared on the opening day, no furniture,
either useful or useless, was to be seen. The walls, painted white
and covered with glazed tiles, to prevent scratches, were entirely
bare, having neither a drawing nor a picture, nor even an outline
of any physical apparatus. The students had no need of any; no one
missed the practical instruction in an extremely experimental
science; for years and years it has been so taught, and the country
has not been upset but continues just as ever. Now and then some
little instrument descended from heaven and was exhibited to the
class from a distance, like the monstrance to the prostrate
worshipers—look, but touch not! From time to time when some
complacent professor appeared, one day in the year was set aside
for visiting the mysterious laboratory and gazing from without at
the puzzling apparatus arranged in glass cases. No one could
complain, for on that day there were to be seen quantities of brass
and glassware, tubes, disks, wheels, bells, and the like—the
exhibition did not get beyond that, and the country was not
upset....
This was the professor who that morning called the roll and
directed many of the students to recite the lesson from memory,
word for word. The phonographs got into operation, some well, some
ill, some stammering, and received their grades. He who recited
without an error earned a good mark, and he who made more than
three mistakes a bad mark.
A fat boy with a sleepy face and hair as stiff and hard as the
bristles of a brush yawned until he seemed about to dislocate his
jaws, and stretched himself with his arms extended as if he were in
his bed. The professor saw this and wished to startle him.
“Eh, there, sleepy-head! What’s this? Lazy, too; so it’s sure you
don’t know the lesson, ha?”
This question, instead of offending the class, amused them and many
laughed; it was a daily occurrence. But the sleeper did not laugh;
he arose and, with a bound, rubbed his eyes, and, as if a
steam-engine were turning the phonograph, began to recite:
Public-domain text, read in full here on John Shaqi.
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