The hero of the Filipinos : $b The story of José Rizal, poet, patriot and martyr — John Shaqi
The hero of the Filipinos : $b The story of José Rizal, poet, patriot and martyrRussell, Charles Edward
History
The hero of the Filipinos : $b The story of José Rizal, poet, patriot and martyr
Russell, Charles Edward
Rizal, José, 1861-1896
At Madrid it was with him as it had been at the Ateneo. In a few weeks
the university buzzed about this rare young Filipino that could do so
many things brilliantly and lived so much like a Trappist monk. His
fellows remarked of him that he had at its best the fine, gracious
courtesy characteristic of his people but was no great addition to the
university’s social assets. If the cafés, clubs, and other places the
students thronged knew little of him, he had two good reasons for
keeping to himself and living modestly. His excursion in higher
education was financed on slender terms by his father and his brother,
and he had work in hand that took all his attention; he must be at all
times about his country’s business. To a certain extent when he walked
apart he was doing violence to his own nature. By temperament he was no
horseman for black care to ride behind. He was frank, cordial, quick,
rather sanguine, and appreciative of good company and of conversation
with good minds. When he had the luck to fall in with these and
loosened the rein upon himself, or when he was with his own circle and
forgot the great thing he lived for, he made the common air sparkle
with shrewd, witty comment. [61] His studies in so many languages had
given him an unusual vocabulary; his talk flowed on without a break.
His own circle was a group of about a score of Filipino students, and
(strange to say) one Englishman and one German, that somehow found
themselves to be congenial and elected to meet at one remote café.
There they read the newspapers (London), played dominoes and chess, and
talked about serious things. It was the opinion of these young men that
Rizal came too seldom to their meetings, but whenever he consented to
be of the company he was its intellectual electric battery. He liked to
play chess and played it well; he liked better to discuss and to learn.
One afternoon he came in and announced that he was going away. He sat
by the side of the table and drew with his pencil on its bare top a
merry caricature of every person present. Then he bade them good-bye
and disappeared, and a waiter came with a cloth dipped in kerosene and
erased the drawings. The place did not see him again. [62] A few years
later, the price of those caricatures the waiter so easily expunged
would have equaled the value of the café.
He carried to Madrid his favorite notion of life led by time-tables;
and, dividing his day into segments, set apart one for general reading.
In this his choice was liberal; anything that would be likely to assist
his purpose was welcome. French classics, Shakespeare, Goethe, to help
his lingual studies; books on modern political questions; history above
everything, any history; biography by way of illustration; and the
theater (which he attended as often as his purse would allow) for
readjustment.
Public-domain text, read in full here on John Shaqi.
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