The hero of the Filipinos : $b The story of José Rizal, poet, patriot and martyrRussell, Charles Edward
History
The hero of the Filipinos : $b The story of José Rizal, poet, patriot and martyr
Russell, Charles Edward
Rizal, José, 1861-1896
While he was yet in the university, Rizal came into contact with
another influence that affected both his career and the story of his
country. He became a freemason. Upon all secret societies, but
especially upon the freemasons, the governing class in the Philippines
had scowled implacably; the friars and the church generally being still
more hostile. The governing class in its jumpy way believed that any
kind of secret organization must signify treason; the Civil Guards
objected because here were keyholes at which one could not watch; the
friars thought freemasonry threatened the economic welfare of the
church. By these, Rizal’s religious convictions were gravely doubted,
but need not have been since they were easily ascertained. He was of a
broad and sweet faith and a charitable practice, cherishing a universal
tolerance refreshing to encounter, but he was in the substance of his
belief a loyal Catholic. In his father’s house he had been accustomed
to hear religious questions discussed without the least restraint; [64]
within those walls Francisco Mercado would have freedom of speech if it
existed nowhere else in Filipinas. From such discussions he had learned
that religion was a matter about which men would differ widely and yet
without just reproach; the independent, courageous, and conscientious
man would decide for himself. When he came to understand the
subjugation of his country and the part played in that great wrong by
the monastic orders his faith in the organized church as the custodian
of men’s minds and thinkings faded out, but not his faith in the
essentials of the Christian religion, from which he seems never to have
wandered.
At the suggestion that freemasonry was or could be a foe to religion he
scoffed. Not only did he accept masonry for himself but he resolved
that upon his return to the Philippines he would further it among his
countrymen. He may have loved it for the enemies it had made; he would
have been scarcely human if he had not felt some such impulse. But
beyond all such considerations he must have found in the ritual
something of beauty and in the associations something of the calm and
fortitude for which the sorely tried soul yearned within him. We are to
remember here again that he was one carried by fate and the stress of
conditions out of his inclinings. He had the soul of an artist; by
sheer force of will he put himself down into an arena of strife. He
loved the cloister, books, and meditation; he forced himself to battle
with primitive men for primitive rights. He was a poet, with an ear
peculiarly sensitive to sweet sounds, a soul on fire about beauty and
its recompenses; and he turned his back upon all these because he
thought he heard a call to duty. Some men give their lives to a great
cause; some men give still more.
Public-domain text, read in full here on John Shaqi.
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