The hero of the Filipinos : $b The story of José Rizal, poet, patriot and martyrRussell, Charles Edward
History
The hero of the Filipinos : $b The story of José Rizal, poet, patriot and martyr
Russell, Charles Edward
Rizal, José, 1861-1896
“So then I am now working to the end that the children become
changed into parrots and know by heart so many things of which they
do not understand a word.”
It is doubtless a perfect picture of education in the Philippines and
outlines the size of the task that Rizal had shouldered. [75]
“Let us not be so pessimistic,” said Ibarra.
He resolves to build and endow for the town a modern school-house. As
the time comes for the laying of the corner-stone, at which ceremony he
is to officiate, he receives a mysterious warning that an attempt will
be made upon his life. This he seemingly disregards; and yet, when he
must descend into the trench and stand beneath the corner-stone
suspended from the scaffold, he looks anxiously above him, watches the
apparatus, and is tense for a leap. There is a sound of cracking
timber; in an instant the great stone falls, but he has sprung aside
and saved his life.
At the dinner with which the day’s ceremonials are concluded, Padre
Damaso is a conspicuous guest. Not even yet is Ibarra, despite certain
intimations, aware that Damaso was his father’s remorseless enemy, that
the gloomy, vindictive friar had put forth the hidden powers of the
orders and dragged his father to death. But at the dinner Damaso, stung
with baffled hate because Ibarra has escaped the gin so cunningly
spread for his life, loses all self-control and utters against Ibarra’s
father an insult no son could be expected to endure. Ibarra springs at
his throat, knocks him down, and stands glowering over him. In the eyes
of the petrified spectators murder is about to be done, when Maria
Clara, Capitán Tiago’s reputed daughter, throws herself between the
infuriated youth and the prostrate friar.
Maria Clara is Ibarra’s sweetheart. She pleads with him with her eyes,
and he recovers enough self-command to take himself away.
But the assault upon the friar is his ruin. He has committed the
unpardonable sin, the blackest crime in the calendar: he has laid
“violent hand upon a friar, representative at once in his own person of
the might of the church and the majesty of the realm.” That day he is
excommunicated, a punishment that in the Philippines, nineteenth
century, retained all the poignancy it had in Darkest Europe, 1000 A.D.
He has become a moral leper.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account